
Originally Posted by
PTChristopher
Oldane is sneaking us into the very advanced (in my opinion) parts of this question.
In my view, I understand the buzz to which OD refers, but I have never had a practical problem with it. But in other news,...
1. The vast majority of nuts are so silly high, that a blanket, "Get the nuts down." seems best.
2. But yeah, there is more to it. But get the nuts DOWN.
3. There is some danger for an inexperienced, or unobservant, or hurried, tech/luthier setting up the slot with brand new strings that are not settled into a bend over the nut. I was going to say "nut horizon" but then it sounds as dreary as that awful Stephen Hawking book.
If the strings are not settled in, you can accidentally make the slots lower than the frets, which is the only thing worse (but not by much) than high slots.
But get the nuts DOWN.
4. Strings are not infinitely or perfectly flexible. This is not new info. But it does have an effect on how the vibration arc is shaped at the ends. You might think this would help first fret clearance, but a sort of node develops in stiffer strings and this can make for an odd transient vibration on open strings. So, if a player has:
a. a very strong attack
b. plays downward on the strings vs. very perpendicular to them
c. wants virtually no relief (and .002" is virtually none)
then yeah, you might want to sneak the low E and A higher by almost less than you can see.
But get the nuts DOWN.
In my opinion.
Chris
Trenier Model E, 2011 (Natural Burst) 16"
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