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No point in arguing the meaning of words with no agreed upon meaning. That said ...
Professional: You're making a living at it.
Jazz: You're doing it with jazz, not some other style of music.
Guitarist: You're doing it focused on guitar.
Sure, the components are all imprecise and therefore arguable. But, that's what makes sense to me.
Is the number vanishingly small? Since I know a few I can verify that it's not zero.
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06-25-2026 12:33 PM
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sometimes the "seasoned pro" is actually a plumber irl

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Yeah, TBF it does all depend on your outgoings.
I was full time "jazz guitar" for a few years. I don't take that as an indication of much though, apart from being in a successful band playing music I didn't much care for and at that time having low outgoings.
It's a BS thing to get hung up on.
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I tend to think of pro as meaning the musician's sole profession. But using pro to describe the musician's accepted level is also a viable definition I believe.
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As it happens I know several guitarists who most people on here have probably heard or heard of. And several more you probably haven't heard of who, afaik, make a living at jazz guitar.
BTW, I didn't say all their income was from gigs. I said it was from jazz guitar, including gigs, teaching, recordings, etc.Last edited by rpjazzguitar; 06-25-2026 at 07:32 PM.
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Well there you go, then.
I do BTW know jazz bassists who make their living entirely through gigs.... but jazz guitarists? I think everyone at least teaches. Others play shows, do sessions. Most of us do a mix of these things. And the gigging thing is a hand to mouth existence unless you have a show or something. Which obviously isn't jazz.
People also often go through phases.
For instance it's kind of normal for people to stop playing gigs so much when they have a family. I play fewer gigs than I use to (it's starting to pick up again), but it's not like I've become a worse player. Some people sought other sources of income post-Covid. I know other players who've ended up doing thing like production and film music composition etc. But they still play great.
OTOH I know some full time musicians who really aren't that great - but they've found a niche.
The pro/semi-pro/amateur division is so grey it's not helpful as a guide to ability. Most of us are looking to make ends meet with our skill sets and connections. Not all of us are lucky and skilled enough to find ourselves playing on all the Hollywood film scores as a day job like John Parricelli did... but what we have in common is that Jazz remains a passion first and foremost.
In fact a vaguely remember Lennie Tristano advised his students to get a non music day job so their playing would be unsullied by commercial music lol. Not sure if I agree with that idea.Last edited by Christian Miller; 06-26-2026 at 04:20 AM.
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I know a few. A bass player I just played with Wednesday night. He’s very good. He’s a bass player in a smallish city with a diverse music scene, so there is music happening but not very many good bass players. He’s also in a different phase of life — so roommates in a big house, etc.
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Maybe the title of this thread should be changed to read:
“Thirty plus Years into Jazz - Overwhelmed and not Sure Where to Focus”
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What do you guys think of the term "pro-level?"
There's a pro on youtube who refers to himself and other pros as pro-level players, as well as non-pros who play at the same level. So, he doesn't distinguish between them; he uses it as a descriptor of playing ability. He never expressed some sort of underlying belief behind it to my knowledge, that's just how he says it.
Seems clear enough to get his point across without stressing about getting an exact definition. He just means good.
Non-pro level musicians obviously can get gigs, that's not part of it.
Just wondering. I have used the term, but don't feel strongly about it. Which is why I feel safe. Because I don't like confrontation.
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Usually it is used like "reaching a pro-level" or "once i reached a pro-level"
edit: actually I think he does define it, let me look
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It is, but also i.e {youtube speak is}common parlance
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If we’re being honest “pro” is a marketing term these days like “artisanal” was in the 2010s.
Go to Lowe’s. “We supply the pros.” How many people in the store at any given time are professional contractors. Some, for sure. But most are just going to be YouTubing how to DYI an accent wall. But knowing they’re going where “the pros” go makes them feel like pros.
I put this kind of language in the same bucket as truck commercials where some dude is driving through a ravine in the woods so he can grill atop a scenic cliff. No one is doing this, but people paying $60k for a truck like to think they’re the kind of person who might.
(and the ratio of pros in lowes is way higher than the ratio of pros in a guitar center, or in the Benedetto order queue, for whatever that’s worth)
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K I found his definition:
This person has about 7,000 hours in, knows about 200 tunes, can prepare for a gig same day, can solo on all those tunes with no holes, and has some sort of personal style
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By comparison, a "competent jammer" might have 2,000 hours, 100 tunes, gig ready same week, can solo on most of those tunes, has some holes, and may have some timing and technique issues
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funniest one is a beginner with 0 hours who knows 20 tunes lol (I think he means 0-500)
edit: it says doesn't solo at jams
here
Last edited by joe2758; 06-26-2026 at 09:22 AM.
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Oh god not the BS 10,000 hour thing again. Gladwell has a lot to answer for...
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What if you have put in 20,000 hours for sure but also you have dad brain and probably don’t know 200 tunes without checking anymore?
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