-
Originally Posted by Jimmy blue note
You're comparing Pu--sy to Hamburgers??????????? At least, perhaps, Coq Au Vin . . . Braised oxtails in red wine sauce . . . Escargot with fresh French bread and a White Bordeaux . . .
Marinero
-
07-09-2022 07:39 AM
-
Originally Posted by RJVB
-
Originally Posted by marcwhy
-
Originally Posted by RJVB
-
I strongly believe that with a well designed personal practice formula for 12 hours might work.
But can't imagine doing scales for 12 hours and.. this sounds craaaazy. Not crazy at first. But a bit later. When the gains are not so obvious anymore.
The mind likes gains, puzzles, but most of all - feelings. If it gets dry, it doesn't even want to play along after a while. Thats where the numbness comes from.
Hm. Just an observation of myself. But people are so different.
-
Hmmm , how can people be practicing for like 8 hours a day?
If they can fair play but that level is not for me for a number of reasons:
- tired hands, back ache etc.
- got other things to do in life
- I find that after maybe 2 hours I stop learning or caring. Better to do 4 2 hour sessions over a few days to allow things to sink in and muscle memory to develop as u sleep.
And I dunno and I mean no offence by this but if I met someone who was doing 12 hours a day I'd kind of question their sanity.... like they've got a bit of an unhealthy obsession and are overworking themselves to their detriment in a number of ways.
E.g. Charlie Parker was one who famously did something like 14 hours a day. Whist the music is amazing, he didn't turn out well personally.
-
Not to pile on, but repetitive marathon practice sessions have been studied over and over in both the context of pro sports and musicianship (where the parallels have also been extensively studied). The consensus is that they are counter productive and serve little more than the ego of the coach/athlete.
If you want to progress, and have the luxury to devote your full time to guitar, you should build a dozen different exercises like learning melodies, chord grips, theory, scales, triads, etc., and practice each between 20-60 min at a time with plenty of breaks to relax your muscles, clear your mind, eat/drink and exercise. Trying to practice scales for twelve hours makes for great “when I was your age I…” type stories for when you’re old, but isn’t an effective strategy for rapid progress.
Sent from my iPhone using Tapatalk Pro
-
Here's my advice: Learn songs. In the end, you are your song list. No one will pay you to perform technical exercises. They will, however, gladly pay you for a show - that means songs. All the bells & whistles stuff are icing on the cake, tinsel on the tree, etc. etc. You need something to play. Otherwise, why would anyone want to listen? Songs contain all the technical information you will need in an efficiently mnemonic form. All the greats (and the not-so-greats) have something in common - they can fill 4-45minute sets with songs.
Obvious thing is obvious. Self-evident.
Sincerely- Good Luck!
-
I reckon try to 'play' not practice. Ie sit down and just enjoy playing... but don't get in the rut of never moving on with ur material, always have an eye on making some new stuff up or refining something else.
That way I can easily spend hours, but not 12 no way.
-
Originally Posted by wintermoon
Ibanez GB10 - What do the symbols SE, EM mean ?
Today, 02:51 PM in Getting Started