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I've seen it. It has good acting and interesting plot. Not very realistic at all though. It's not about jazz or music for that matter. I was disappointed by it but I had high expectations after hearing good reviews.
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03-03-2015 09:54 PM
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Originally Posted by nick1994
And i've never been physically threatened but having played in a ton of college and rehearsal big bands it seemed pretty realistic to me. So did the psychology of the drummer and his approach to life. I sure identified with it.
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Originally Posted by jzucker
I've been in an ensemble at uni and if you weren't getting the changes or couldn't read the charts or couldn't play in time, you'd just get sent out. If you can't get it the first time, then you're not going to get it the second time. you need to go practice.
So for me, the movie wasn't about jazz.
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Originally Posted by nick1994
Who says that a jazz movie has to be about every facet of jazz? And obviously he *COULD* play and he was just being pushed to play better. (This isn't a tactic that I agree with).
I guess I'm not surprised that jazzers would be their own worst enemy and thumb their noses at something that has achieved some commercial success.
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Originally Posted by jzucker
If the movie is a jazz movie then don't you think it would illustrate a more diverse exploration of jazz rather than just containing it to a big band setting? See, I don't think it covers enough facets of jazz to be called a jazz movie and I don't think it was supposed to be a jazz movie. The plot's not about the music, it's about his ego and how he wants to be the best.
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Bret Primack's view is pretty much in accord with mine.
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Originally Posted by Richb
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I'd imagine this is how lawyers feel when they watch Law and Order.
Last edited by pamosmusic; 03-04-2015 at 01:04 AM.
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We could correct this with our own version
Make it more realistic, guy gets into program, woodsheds between classes and jerkin' off, has to deal with a bunch of young jazz snobs with rich parents funding their education, lead character graduates from college a 50k slave to Sallie Mae, takes a low-wage job while scraping by giving lessons and playing $60 gigs while spending his free evenings arguing on Jazzguitar.be because, well....jazz.
I want to see that movie.
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Originally Posted by Broyale
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i loved the movie. it is not a documentary.
it's more about talent, hard work, dedication, and overcoming difficult personal obstacles to get where you want to be - perhaps even where you deserve to be? it just so happens that it used a fictitious "top jazz music school" in Manhattan as a backdrop, which made it fun.
did you guys notice that members of the audience at the Oscar awards show clapped and yelled every single time the movie's title was mentioned? that didn't happen for the other movies. i think a lot of performers in Hollywood related to the theme/story, which might be more representative of the thespian/drama world than the music world, who knows?
and J.K. Simmons was unforgettable as the unprofessional, manipulative, malicious, over-the-top, psycho, band-leader Nazi. it makes me smile every time i think about his performance, the crazy s.o.bLast edited by fumblefingers; 03-04-2015 at 09:28 AM.
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Originally Posted by nick1994
Last edited by matt.guitarteacher; 03-04-2015 at 10:29 AM.
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I liked the movie a lot. I don’t get all the complaints with it not being a realistic portrayal of jazz or music school, etc. In what other movie about high-level achievement in sports or entertainment do we see all the boring hours of practice and preparation?
Law and Order is an excellent example- a halfway realistic portrayal of criminal law would show month after month of delays and non-action between arrest and trial (or more accurately, plea bargain) - yawn. On the show, that all flies by with one bum-bum.
As to the movie’s supposed limited view of jazz, I wasn’t expecting a documentary – not sure why we should have been. And for those, like the New Yorker’s reviewer, who were particularly dismissive of the choice of Buddy Rich as the kid’s idol as opposed to a more “authentic” bebop drummer, I think they totally missed the irony in the context of the movie’s story line that Rich was a technically amazing drummer who also was a major league a-hole to his own band (and probably to lots of others).
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Jazzer's aren't happy unless they are miserable. They want to complain that jazz gets no respect but when it does, they whine and bitch about it. Witness all the !@#$ branford and eubanks had to go through.
Hell, just be happy someone brought out a movie in a context where jazz played a role. The movie could have easily been about classical music.
Originally Posted by Solo Flight
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I do think that "jazzers take it too seriously"/"jazzers are their own worst enemy" points do have some merit, but on the other hand, I think the overall consensus is that jazz as we know is quite misrepresented in Whiplash. In other words this translates to : this movie does not give jazz the respect it deserves.
I'm not sure how someone is going to deny that in some way, jazz was not given due respect. Here are the 3 major devices used by the directors to portray jazz.
1) How fast the drummer can swing
2) Shiny brass instruments
3) Lots and lots of sheet music
As far as a portrayal of jazz goes, heavily on the shallow side.
As fans and supporters of jazz, I'd say its completely natural and healthy to a certain extent to take an "anti-whiplash" stance.
On the other hand, whiplash is a movie, it was a big bucks movie and to net in the general public who is not familiar with jazz, this was the best way to give them an impression of "jazz music" without turning them away. I don't think it would have sold the way it did if we had a tenor sax as the protagonist and 16th note bop runs over Coltrane changes playing everywhere.
And also, in another way, the movie does give jazz some due respect by portraying it as a serious discipline which requires intense dedication.
As jazz supporters we should all be thankful(if a little miffed by the shallow portrayal) that this movie really did a lot to bring jazz out to a general worldwide public!Last edited by pushkar000; 03-04-2015 at 03:28 PM.
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Originally Posted by matt.guitarteacher
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Originally Posted by pushkar000
Play in a big band and figure out if shiny brass instruments are important.
Play in a big band and decide if lots of sheet music is important.
An accurate depiction of the progress of a real jazz student would be horribly boring to anyone other than jazz nerds. Maybe something better depicted in a written biography like the ones you can find on coltrane, bird, etc.
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Originally Posted by jzucker
Contrast it with something like Shine that was really all about the personal quest for perfection and the way that monomaniacal dedication can manifest itself. Even Black Swan spent a lot of time focusing on Natalie Portman's character's constant practicing and frustration.
I'll check out the movie soon, but just wanted to note that.
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i still don't buy that explanation. I think it depicted pretty well the kid listening to buddy rich (who was a great player and one of bird's favorite drummers) and learned to cop his swing feel. I watched it with two other musicians and they both loved it as well.
Comparing this film to another one is silly. It's like comparing pat martino to george benson. It's pointless.
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Originally Posted by jzucker
1) In my opinion the directors did not choose those 3 elements because they are as you say important elements, but they chose them because they are 3 easily understood elements. Anybody can tell if its fast or slow. Sheet music is an obvious indicator of music. And shiny instruments add to the mystique and wow factor of the whole jazz thing. While it takes nothing away from their importance in the actual music itself, one can still understand that the reasons for highlighting these factors were to serve a different purpose - not to portray jazz faithfully but rather to increase the width of their audience catching net.
2) For many of us, jazz is a lot about smaller groups, improvisation, interplay between members. I love my big band music and have great respect for cats in big bands! But I also love and spend lots of time listening to smaller groups and lots of improvisation. A lot of the greatest additions to the legacy of jazz have been in the form of smaller groups, and this aspect was not shown at all in the movie, and it does feel to me like there's a large part of jazz missing or conveniently absent from the movie. The spontaneity that is the lifeblood of jazz has been left out.
Of course, its a movie, its not a documentary, what am I expecting? But a little sore feelings are natural I believe. As mentioned above, it would be similar to a lawyer watching Law and Order!
As far as movies go, even though I watch only about 2-3 a year so I'm not the greatest judge, I thought it was absolutely brilliant.Last edited by pushkar000; 03-04-2015 at 04:23 PM.
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I haven't seen the movie yet but I understand it's a work of fiction so there's no obligation for it to be authentic/respectful/reverential in any way - imo ...
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This movie was never meant to be a history of jazz. It was a slice. Not the whole pie. When you listen to Dave Holland's big band do you put it down because it doesn't sound like a jazz guitar trio?
Originally Posted by pushkar000
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Originally Posted by ecj
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Originally Posted by jzucker
He'd be the first one to point out, "Hey man that's not how we do it!". Even though he knows its just a TV show. The case with many jazz fans(me included) who are a little sore about whiplash is the same thing.
As I mentioned, bottom line - I thought it was a great movie.
It's a great movie that (understandably) doesn't portray jazz in the most faithful manner - or it doesn't portray enough of jazz to provide a clear picture.
Edit : I have not listened to the Dave Holland big band. I must check it out, thanks.Last edited by pushkar000; 03-04-2015 at 04:57 PM.
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Don't forget folks, it's Hollywood. But I'm glad that this movie got as much attention and accolades as it did.
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