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Soul Connection from my latest recording.
Once upon a time was looking for love
Couldn't find it though I was dreaming of her
Right before my eyes it was there in front of me
To see
Now I see her face in front of my eyes
Clear as day it shows as blue as the skies
Holding hands with her now she flies like little wing
With me
Look into her eyes again
Thinking of her lips upon my skin
I see and hear
Shed all my fears
For her
Window to her soul
Here and now I stand my soul on display
Smile upon my face connection in place
Spending my life time with this girl
She flies away
With me
Soul Connection on spotify
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Today 02:27 PM
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From Ira Gershwin's foreword to his Lyrics On Several Occasions: "Since most of the lyrics in this lodgment were arrived at by fitting words mosaically to music already composed, any resemblance to actual poetry, living or dead, is highly improbable."
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For better or worse I don't write poetry, so I haven't tackled that particular problem much. For a music theory class in college I had to pick a poem and write a piece of counterpoint to it. I picked a Yeats poem (The Mask, IIRC). That's about as close as I've come, and I found it to be a real bear. My lyrics tend to be either very much form/genre constrained or more like story-telling (with rhymes) than poetry. But even there, I'll often write a lyric out completely and it will seem to work, but once I try to build it a song I wind up re-writing it almost completely.
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Some songwriters write the lyrics first. Willie Nelson does that.
I don't.
Or only rarely.
I start with the guitar.
Early on, I ruined a lot of songs by trying to "sing the riff" when I wasn't a good enough singer and I always wanted to play the riffs fast but that made the words come out too fast and be unintelligible.
Live and learn. (Ocassionally.)
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Very few songwriters actually write poetry, and it is rarely expected of them. There are some, of course, like Joni or Tom Waits, but those of us who are merely mortals marry the words to the music or the music to the words. Then, of course, there were the Beat poets, whose poetry was synchronous with the jazz they were listening to – but you couldn't sing it to an actual tune.
I tend to write both in tandem, struggling to build the mosaic as it develops.
I don't have a Spotify account, and won't, so unfortunately I can't hear how your lyrics work in Soul Connection, Jack.
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Yes, I wrote my first song at 11. These days, they're mostly instrumentals.
I resurrected a very old blues tune of mine for a gig recently. Time tunnel reflection, quite surreal in a way:
What Could Have Been
There's a part of my life, a time I'll always regret
Just a year or two that hasn't happened yet
It's a moment spent wondering about the things I should have seen
Looking forward to what could have been
It may be long dead and buried but it comes back in a flash
All those younger days when my hopes and dreams were dashed
In a moment spent wondering about the things I should have seen
Looking forward to what could have been
I've had enough of predictions, nothing ventured, nothing gained
'Cause right here and now is all that remains
From a moment spent wondering about the things I should have seen
Looking forward to what could have been
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I'm not sure I know what a jazz lyric is. I used to know singers who could really write them. They leap off the page and connect with you, and the same happens when they sing them. But they weren't jazz players.
My own feeling is that you've either got it or you haven't.
4 Micro Lessons, all under a minute, no talking.
Today, 05:16 PM in Theory