-
In the Mickey Baker book (lesson 15) he lays out 3 commonly used bridge progressions:
#1. III7 > VI7 > II7 > V7 The "I Got Rhythm" bridge.
#2. I7 > IV > II7 > V7 The "Honey Suckle Rose" bridge. I recognize that this is also the bridge to "Satin Doll" if you leave out the companion ii-chords usually played in "Satin Doll".
#3. III7 > vi > II7 > V7 None of the handful of standards I know (about 18) have this bridge.
So, my questions are: Which standards use bridge #3? What other standards use bridges #1 and #2?
ThanksLast edited by Jack E Blue; 02-27-2020 at 02:08 AM.
-
02-26-2020 12:39 PM
-
-
Originally Posted by Jack E Blue
-
#1 used to be known as the Sears & Roebuck bridge, #2 was the Montgomery Ward bridge. For #3, I think it's more common to have VI7 than vi.
-
Originally Posted by Jack E Blue
-
Originally Posted by Howzabopping
-
Originally Posted by Drumbler
-
Originally Posted by sgosnell
True, but then it would be the same as the Rhythm Changes bridge.
Do you know of any songs other than Honeysuckle Rose and Satin Doll that use bridge #2?
-
Originally Posted by Jack E Blue
-
Sunny Side of the Street
When You're Smiling
There are more, but I don't have time to search for them right now. And remember, the sequence doesn't have to be exactly those chords, alterations and substitutes are common.
-
Another one I ran across just running through some tunes:
i'm Confessin'
The books I have show embellishments, but the basic chord structure is the Montgomery Ward bridge.
-
The old tune by Louis Armstrong, Shine, has #3 for the B part, as does All of Me.
In its simplest form, Birth of the Blues has the Sears & Roebuck bridge.Last edited by Ukena; 03-24-2020 at 08:26 AM.
-
Si tu vois ma mère by Sidney Bechet.
-
Originally Posted by sgosnell
Gm7 | C7 | F | % |
Am7 | D7 | Dm7 | G7 ||
Pretty much a "type 2" on the OP list, with some II sharing the V durations.
Corey Congilio: "Who's Been Talking?"
Yesterday, 08:52 PM in The Songs