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he's old now. I remember in 2007 or so he was on youtube playing some George Benson on a D'Addario EXL-1. that was a lifetime ago.
Originally Posted by Irez87
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05-31-2019 11:21 PM
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I played Bossa on a number of Godins but eventually ditched them for a Mexican Navarro flamenco negra which felt and sounded about as "trad" as I've ever managed. Lately I've started playing a lot of Bossa things again but on one of my archtops strung with TI swing 11s, I'm beginning to think that a good acoustic archtop is not a bad alternative.
I agree its tough buying a trad classical or flamenco without playing it first. All the DiGiorgios I've played (in Brasil) were real dogs, and expensive dogs at that. Kenny Hills, the older Navarros are fairly reliable, I've also played a few Aparicio's that I thought were great values. If one had to buy a nylon string acoustic online, Yamaha might possibly be the answer.
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That's the best advice you'll hear on this forum.
Originally Posted by Steven Herron
John R.
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I've heard that repeated on this forum. There are most often better buys outside ones local vicinity. Not using the internet as a resource is akin to living in the stone ages. Different strokes
Originally Posted by jrethorst
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I play a lot of Bossa Nova and I use an Alhambra 3F that I have for more than 20 years with Savarez 520R strings.
You can buy a new for around £400 and it sounds great for Bossa Nova and any Brazilian MPB.
Of course you better try it first.
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I remember the Abreu Brothers...they were frighteningly virtuosic. I did not know they quit performing and that Sergio became a little. I saw them in Cleveland in the 1970's. Dick Lurie, a guitar studio owner and the Cleveland Orchestra's guitarists promoted seasonal series of the top guitarists of the day: Segovia, Bream (solo in Severance Hall...imagine), Narcisco Yepes, John Williams, Abreu Bros, Romero family, etc. A great time to live in Cleveland.
Originally Posted by grahambop
If Sergio's lutherie skills match his performing talent, that says everything.
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My advice is to travel to known good classical guitar shops, play everything on the wall, and buy your favorite for your budget. They all differ...they're not planks of wood but true instruments with quirks and strengths. Play two of the same model from a high end maker and you will notice differences leading to a preference. Play before you pay.
Originally Posted by Sdguitar
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Cedar or Spruce? 7 string or 6 string? Narrow neck or standard? Unless you're buying an electric model where it is not critical to your sound with the possibilities of different pickups and amplifier controls, always buy a solid wood guitar from a respectable builder. The rest should be based on YOUR preferences, not those of others. On a personal note, Bossa can be played on any guitar, but my preference is Spanish red cedar with Brazilian Rosewood back and sides. For my ears, it provides the greatest tonal palette and the sound I prefer. Good playing . . . Marinero
P.S. Here's a great link to tonewoods. https://www.londonguitarstudio.com › classical-guitar-tone-woods-guide
Last edited by Marinero; 09-23-2019 at 10:07 AM.
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This is worth repeating. It lacks a bit of depth in the bass, but it's probably as loud as a cheap laminate classical, so more than enough volume for practice.
Originally Posted by rpguitar
Maybe more importantly, to me, it "reacts" like an acoustic guitar, which is really cool. It's a VERY cool guitar, one I'll be hanging on to probably forever.
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The $80 plywood Yamaha sounds pretty amazing. particularly with a decent setup.
The thing with classical guitars is I think they all sound pretty good. Some sound better than most but pretty much all sound good.
I can't really believe how good cheap yamahas are. It's kinda gross.
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The best Bossa guitar for many is the one they're playing. For a truly discriminate and demanding ear, it could take a long time to find the "right" guitar. Good playing . . . Marinero



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