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Originally Posted by PaulD
John
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03-24-2018 01:39 AM
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Originally Posted by matt.guitarteacher
John
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Originally Posted by Chris Whiteman
John
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right on rags!
So I was thinking today, guys, and I’d like your opinion. I’m relatively happy with my tone (don’t believe youtube!), but I do at times wonder if I should adjust my pickup to be closer to my top strings. My question is how is the balance? does the high strings seem to quit?
Thanks!
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Originally Posted by John A.
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Originally Posted by lawson-stone
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Originally Posted by Gramps
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Originally Posted by joe2758
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Thanks Graham. I may do the same. My videos are roughly half acoustic, so I guess that doesn’t help. I basically find the highest volume that my mic can handle and roll woth that
(internal mic on my mac book). It could be worse trough because I like having the acoustic sound in there also
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Yes some acoustic sound can be nice too. As an experiment I once recorded my 175 completely acoustically, interestingly it sounds a bit like that Joe Pass ‘Virtuoso’ record where they lost or didn’t use the sound from the amp. (I was playing fingerstyle here, no pick).
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Never heard of him.
But that was really cool to hear, thanks for sharing. Brilliant playing
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Originally Posted by lawson-stone
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Originally Posted by John A.
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Originally Posted by joe2758
Honestly that didn't pop out the first time I watched your video, but I just went back and listened again for that specific issue and, you may be right, the high e string in particular may sound a little thin compared to the others.
I'm sort of compulsive about this phenomenon myself, particularly with my solid bodies I play in the band. I'm always hearing this problem in my head! So you may not want to listen to me
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yes exactly, it sounds thin. Now will raising the poll piece help or will that just increase volume? I’d hate to have to mess with mixed string sets that sure seems like a pain
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i use ti swings 13 right now
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Originally Posted by joe2758
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Originally Posted by joe2758
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Originally Posted by PaulW10
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Originally Posted by PaulW10
John
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Originally Posted by joe2758
I try to mitigate it a bit by other methods, e.g. picking technique, maybe even avoiding single notes on the lowest frets of the E string where possible.
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Originally Posted by ragman1
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Originally Posted by PaulW10
My problem is developing ideas, fills, breaking out of the standard fingerings, etc. I can do a "meh" treatment of almost any tune rather quickly, but it's a long way from there to having something really compelling.
Last year some guy who is now banned literally DARED me to take a tune he proposed and go from zero to chord-melody in a week or something like that. He proposed "Alfie" a song I loathe, but I did it. It was a very weird interaction. Matt remembers it because he did one as well if I recall.
Anyhow, in breaking out there are some things I also don't enjoy. I don't like these impossible stretchy fingerings, I don't like altered tunings, I prefer more of a 70% "concept" arrangement rather than something worked out note for note. Those make me feel like I'm doing a recital, not playing jazz. I do like the way Joe Pass did it, Barney Kessel, and even Jimmy Raney when he decided to do a solo tune.
Don't know why I decided to drone on about this...
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off topic, but I didn’t know you’ve been playing since a kid. For some reason I thought I saw you say you started later in life. Must have been someone else. I guess that explains why you can play like you do.
Did any of you get a late start?
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Originally Posted by joe2758
Generally-and I imagine you know this-you should set the overall pickup height before adjusting the pole pieces.
$8500 - 2010 Moffa Maestro Virtuoso Archtop Black...
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