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Hello everyone!
First of all, I don't know if I'm writing this post in the right place, I think so.
I'll introduce myself, my name is Iker and I live in a town near Bilbao (Spain); A few years ago I began to train as a luthier in BELE (Basque school of Violin making), there he built for four years classical instruments of rubbed string (violin, viola and cello) in addition to learning many knowledge of acoustics, restoration ... most of knowledge that he learned from the branch of stringed string instruments that he transported to the construction of guitars, my true passion.
During my studies in BELE we got a six-month scholarship as an apprentice in a European lutheria workshop, specifically the Mirko Borghino workshop (Borghino guitars) in Italy. Mirko is a luthier who builds mostly archtop guitars, but also acoustic guitars and even has an archtop model with nylon strings. I learned a lot from him and during that time, a part of helping in the construction of his guitars, building an archtop guitar myself based on a Benedetto 17 "model.
Here are the specifications of the guitar and some photo of the construction process and the finished guitar:
-Tapa: Italian fir
-Back, hoops and neck: Flamed maple
-Diapasón: Ebony-Bridge: Ebony
-Inlays: Thuja root and brass
-Barniz: To the oil
The construction of the complete guitar has been entirely at hand following the indications and advice of Mirko. The varnishing I did once I returned from Italy, for this I chose a method of varnishing that I learned from the violin luthier Mikele Dobner consisting of oil varnish mixed with natural pigments and ground minerals.
I hope you find it interesting!
If you want to continue my work we can do it through social networks:
Facebook: Facebook
Instagram: Iker Rodriguez (@iker.r_luthier)Instagram
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10-10-2019 11:43 AM
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That's a very nice-looking guitar. You should be proud of it.
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Would love to hear you play it!
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Very nice looking, but f-holes are pretty small. How does she sound?
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That is a really beautiful archtop guitar, Iker. If it is your first archtop, all I can say is Wow!! Very impressive; it looks as if you had already made 100.Good luck with your career in luthiery.
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Originally Posted by sgosnell
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Originally Posted by jads57
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Originally Posted by Jazzstdnt
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Originally Posted by Jabberwocky
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Well done, that's a great start. I like the f-holes, and they should sound fine.
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Absolutely lovely. The F-holes are great, remind me a bit of some things that Dan Koentopp has done.
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Iker,
A fine looking guitar with tasteful appointments. It’s obvious that some passion and thought went into this build.
There are many Archtop enthusiasts on this forum and should you pursue a career in building Archtops please keep us informed.
I collect Archtops and always look to explore new offerings from builders who continue in the tradition of hand carving and voicing these guitars.
Good luck with your ventures and thanks for sharing your work.
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Beautiful work, Iker! Is the bass edge binding recessed at the 12th fret, or is it just a quirk in the photo that I'm seeing?
I'd love to hear more about your oil varnishing process, if you're willing.
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Wow, Iker. Great looking guitar! Success! Excited to hear it.
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Originally Posted by Rob MacKillop
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Thank you! Dan Koentoop is a person I admire and I love his work!
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Originally Posted by QAman
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Originally Posted by Jehu
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Originally Posted by sbeishline
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Hi all! The archtop guitar I recently built is for sale on the ALNICO FIVE website. Here you have the link. If there is anyone interested, I will kindly answer any question.
Thanks!
IKER
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It looks very nice keep at it and I too am interested in the finishing process. Wonder how it compares to nirto.
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Hi! It is difficult to specifically define the differences that would be in the guitar if the finish were nitro ... I have applied this type of mineral finish to the oil because I had previously applied it to various violins and cellos with very satisfactory results. It is a natural varnish that has a very warm tone and which acoustically I think can be very beneficial compared to other types of varnishes ... unfortunately, it is also more delicate obviously. Thank you very much for your interest!
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iker- love that violin finish..did you pad it with oil like a classic french polish?
went to Mikele Dobner oldwood site...lots of beautiful products...thanks for heads up
cheers
ps- when you say powdered crystal..did you mean quartz crystal? fantastic!
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[CITA = neatomic; 1051068] iker- me encanta ese acabado de violín ... ¿lo rellenaste con aceite como un clásico polaco francés?
fue a Mikele Dobner Bosque Viejo sitio ... un montón de bellos productos ... gracias por las cabezas para arriba
aplausos
PS- cuando se dice que crystal..did polvo de cristal de cuarzo media? ¡fantástico! [/ CITA]
Yes, first I used natural pigments with oil varnish and quartz crystal powder. Then I applied the varnish to the oil and to finish a layer of shellac. I'm glad you like it!
Bill Moll John Pizzarelli Signature
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