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The difference at the 12th fret is not infinitesimal. It’s small compared to a football field, but it’s big enough to be felt while playing. Remember that we chord over multiple frets.
Originally Posted by John A.
Your math is odd, John. You compare the distance between 12 & 13 on one scale to the nut to fret distance on the other. The center to center distance between the 11th & 12th frets on a 24.75 scale is 12.375-11.639 =0.736. On a 25.5 scale, it’s 12.75-11.992=0.758. That’s not much, but if you add the differences over 3 frets, it adds up to a readily palpable distance that matters to a lot of players.
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03-03-2025 04:37 PM
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Looking at the specs, that appears to be an A-150 Savoy with fancier decorations and better pickup. I've played a couple of Savoys, which I thought were pretty nice, but I'm not into floating pickups, so I passed.
Originally Posted by Heybopper
If you didn't like the way that sounded and were bothered by the feedback, I'm guessing you won't like that Guild.
Originally Posted by Heybopper
Check out the Ibanez AF-200 or AF-2000 and the PM-200.
Originally Posted by Heybopper
I think you mean GCS-16? If so, I've played one of those. I thought it was pretty similar to the D'Aquisto JazzLine that I tried. I very much doubt you'll perceive any difference between a 25" and 24.75" scale length, but hey capos are cheap. There's also a GCS-1, but that's a thinline a semi-hollow (a very different guitar).
Originally Posted by Heybopper
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Sorry typo/paste-error - I meant to write that 12th-13th fret difference on 24.75 scale is 0.695" and on a 25.5" scale it's 0.716". Point being, if you're saying there's more room for your fingers on the upper frets with a longer scale, I mean maybe some people's but not mine. As to the overall difference, I think I covered that point at the beginning of the post. It matters to some people. I have 2 guitars with 24.6" scales (Gibson's nominal 24.75), 1 with a true 24.75" scale, 1 with 24.9", and 1 with 25.5" There's nothing I can play on the 24.6"-ers that I can't play just as easily on the others, or vice versa. But I guess YMMV.
Originally Posted by nevershouldhavesoldit
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The difference in length between the 12th and 13th frets is not infinitesimal, but it's so small I can't feel it.
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On most guitars, 25.5 feels too big to me.
But, with a very skinny neck, it feels fine.
I go back and forth and have no trouble.
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I could be wrong, but I got the impression that Heybopper is more concerned about stretching over the first 12 frets than he is about crowding his fingers at the upper reaches. Comparing 25.5 to 24.75, the difference in distance between any 3 frets from 1 to 12 is definitely enough to feel. I can see how it might be a bit of a problem for someone with small hands to play chords with close harmonies. An inverted 9th triad is a bit of a stretch - in Bb, it's 10 7 6 on D G B. This is noticeable to me and I have large hands.
Originally Posted by John A.
I routinely switch between scales because my Tele 7 and carved archtops are 25s, and my laminated archtop and LP are 24.75s. I definitely notice the difference closer to the nut. I don't notice the difference at all above the 10 to 12 region.
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It wasn’t 100% clear to me.
Originally Posted by nevershouldhavesoldit
I don’t feel a difference (just checked by playing Moonlight in Vermont on my Strat and my Les Paul).
Originally Posted by nevershouldhavesoldit
This is what I said.
Originally Posted by nevershouldhavesoldit
I switch between 25.5”, 24.9”, 24.75”, and 24.6”. I maybe notice it a little on the first few frets but there’s nothing I can play on the shortest that I can’t play on the longest (though I don’t do a lot of big-stretch chords anyway). My hands are not very big.
Originally Posted by nevershouldhavesoldit
Last edited by John A.; 03-04-2025 at 01:34 AM.
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A key distinction.
Originally Posted by sgosnell



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