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Thanks, I'll have to think about it now. I don't mind the time investment, just need to be able to see the exercises or approach for what they are.
I might have to put my own lessons together from a variety of sources, that combines technical/theory/tunes. I don't think I've come across one book that encompasses all of these things, but the Van Eps one LOOKS like it comes close. It may be another one to add to the arsenal as I don't have anything so specifically guitar. I've heard Ted Greene's books being recommended, but at first glance it looks overly complicated, or maybe it's just not written in the most logical, progressive way?
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07-18-2018 10:42 AM
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Originally Posted by p1p
Actually, what I would recommend is the Ted Greene website. A lot of the lesson sheets he gave to his students have been posted on there. Well worth checking out. TedGreene.com - Teachings - Single Note Soloing
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Originally Posted by monk
Adrian
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A few days ago the Solid Guitar Channel started with this series.
There are 3 videos up until now.
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Still, this video presents the same 1st inversion C major triad scale one octave in 4 or 5 fingering variations.
If not through tab in this video format, how then best to convey this variance. In standard notation,
each variation would appear as the same event. Tab conveys location, George was even more specific,
indicating exact fingering, his concerns included mechanics presented by making the same musical event
changes with alternative fingerings.
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Originally Posted by Rob MacKillop
I often hear the exhortation to practice this or that grid-like pattern on the fretboard in "all keys" but I don't understand why, or what people mean when they say this. A harmonized major scale in a set pattern on a guitar fretboard is the same in all keys. When you transpose it from C major to D major, the pattern doesn't change. You don't even have to think about what key you are in to play correctly. What am I missing here?
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