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Me neither. But I think you will find that the '58-'59 Venetian s with PAF's are the biggest ticket items!:smile-new: Extremely hard to find.
ok sorry i was wrong about the pitch thing :stupid:
Meanwhile, back at the ranch..... I actually just tried this so you wouldn't say I was unfairly dismissing your hypothesis. I did it with my Epi LP (active EMG), my ESP (SD HBs), and my Raines...
Aesthetically, it’s Venetian for me without a doubt. Overall, I just prefer a non-cut, and that includes for electric. Deacon Mark, I think the reason Florentine L-5 and Super 400 CES seem to...
Florentine cuts were already around w the intro of the ES-175 but it was Kenny Burrell that got the ball rolling on them w/ Super 400's, L-5s and the short lived Switchmaster florentine cut. a...
Florentine vs Venetian: which one is better? Whichever cutaway is on any given archtop I'm selling on this forum is better, of course.
Great advice. This is a very nice section. I'm getting my fingers under this stuff now as well and it is quite gratifying to play when you get it right.
I consider them triads unless there's a 7th added to the sus4.
Upper structure extensions of the chord and alterations of the chord would also be chord tones. Sorry to … um … split hairs. Anyway … arpeggio implies a structure to me. Like when I think of an...
I've spent this afternoon working with the Coda section and have come to appreciate the way Arnold has constructed this section. There is some very nice voice leading, some nice syncopation, a full...
I’m confused as to why the Florentine would cause more breaks? Surely the inner radius of the Venetian is greater because it has to do more bending? Of course I’ll bow to those in the know but could...
I beg to differ on that point. Here is what Merriam-Webster's dictionary has as the definition for arpeggio: arpeggio 1: production of the tones of a chord in succession and not...
Bars 7 and 8 of Martin Taylors chord melody of Don't Get Around.... in Dmajor. On the word 'more' : | Abm7b5/Gm7/ | D(f# in bass) /// |
10-4. Up to now, I've only heard about a tri-tone sub being used as a primary or secondary sub and just assumed that was the only appropriate use of a tri-tone sub.
Florentine vs Venetian: which one is better?
Today, 03:29 PM in Guitar, Amps & Gizmos