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Originally Posted by bluenote61
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05-15-2024 12:23 PM
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Originally Posted by AllanAllen
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I'm not even joking. I am working on relaxing my thinking scowl into a smile. If I don't look like I'm enjoying myself play, why should I expect anyone listening to enjoy it? I'm no Miles Davis.
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When I get stressed playing the guitar I pucker up my lips like a fish Instinctively when that happens I move my head towards the guitar body to pretend I'm kissing it. Happened a couple of times when I was recording playing Villa lobos etude 7
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I had suggested to Lawson to try to play a take without looking at the fingerboard.
I thought that I would put my money where my mouth is, and give it a try myself.
Actually not that natural for me as I usually look at what I'm playing.
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Originally Posted by AllanAllen
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Originally Posted by alpop
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Originally Posted by AllanAllen
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"Smile!" They said. "Don't look!" They said. "It'll be fine, even better!" They said.
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Originally Posted by pamosmusic
Originally Posted by alpop
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Originally Posted by Mick-7
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Originally Posted by Mick-7
Honestly, I’d say sight reading absolutely depends on being able to practice and play music well. But I would not say that being able to play music well has anything at all to do with sight reading.
and regarding the “opposition” Christian suggested … sight reading a piece requires an inattention to mistakes that really is in opposition to learning something properly.
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Originally Posted by Mick-7
Rather than at the guitar?
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Originally Posted by lawson-stone
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Originally Posted by pamosmusic
The question is, are there advantages to not looking at the fretboard while playing? I can think of a few....
Originally Posted by pamosmusic
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Originally Posted by Mick-7
Thats not what you meant. Noted.
You'd have a very hard time finding a studio musician who would agree with that statement.
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I tried not looking for kicks. I can play the first two phrases with my eyes closed.
Then things came off the rails rather quickly. This is because I've practiced those first two lines probably 1000's of times and much more than I have the rest of the tune.
So with practice, I'll eventually be able to play the whole thing without looking. I'll post here again in 2034 when that happens.
Re: Sightreading, obviously you can't be looking at the guitar. But if you can sight read Donna Lee at tempo, what the hell are you doing on an internet forum?
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"But if you can sight read Donna Lee at tempo... "
I can't, but one wouldn't expect to be able to read anything well at tempo right off the bat - but let's drop the sight-reading discussion, it's become even less productive than discussing vanilla ice cream.
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Originally Posted by lawson-stone
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Originally Posted by pamosmusic
Dropbox - Guide Tone Lines (same note) - Score.pdf - Simplify your life
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So today nursed it up to 185 and have started working with the whole tune. Used the Bugera PS1 to link the Princeton Reverb to the recording box so as not to upset office neighbors!
Also: I have an almost irresistible urge to play something in the middle of those two rest measures, even if just as a joke. Anyone else feel this?
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Don't forget to smile.
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Originally Posted by lawson-stone
Sent from my iPhone using Tapatalk
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Except in orchestral work where you can’t look at the music either because you’re meant to be looking at the conductor….
Sent from my iPhone using Tapatalk
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I noticed MM filled the space with some melody.
Couple of entry level arch tops
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