The Jazz Guitar Chord Dictionary
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  1. #176

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    By the way Christian I am seeing Shirley Smart (cellist) next week at the Watermill, I believe she was on one of your albums?

    Sorry a bit OT but you never know, she might play Donna Lee - I have heard some clips and she sounds incredible and capable of playing anything!

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  3. #177

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    Quote Originally Posted by grahambop View Post
    By the way Christian I am seeing Shirley Smart (cellist) next week at the Watermill, I believe she was on one of your albums?

    Sorry a bit OT but you never know, she might play Donna Lee - I have heard some clips and she sounds incredible and capable of playing anything!
    Yeah Shirley’s an old friend, hung out only this week as a matter of fact. We’ve played together countless times over the years. We’ve definitely DL’d together a few times lol. She’s a beast!

    She’s on Balagan Café Band.

    Is it the trio or sextet?

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  4. #178

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    It's the trio.

    I expect DL on cello presents its own challenges!

  5. #179

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    Nice! Fun band. John and Demi are great too.

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  6. #180

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    Quote Originally Posted by AllanAllen View Post
    I’ve found with the 5 positions and not using open strings, the key doesn’t matter. Put up a clip of you doing it country style with open strings. I’d be interested to hear it. I always like when Chet Atkins took a standard to a country key.
    What, Donna Lee sportin' a cowboy hat and boots, maybe brandishing a whip to prod ya' all to play faster? That could be entertaining, and certainly a challenge to add country twang at a high speed.

    I'm not set up for recording now but It's on my To Do list.

  7. #181

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    So here are my musings on the next chunk of Donna Lee. I don't remember when the week for each portion starts, so I hope I"m not jumping ahead here. Also, I see one unified phrase moving into mm 13-14 so I've worked with the 6 measures, 9-14.


  8. #182

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    Oh yeah we’re on to 9-12 now, right?

  9. #183

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    We started on a Thursday. I don’t see why we can’t switch to Mondays though. Everyone made a thoughts video and I’m happy with 5-8 in two positions.

  10. #184

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    Quote Originally Posted by lawson-stone View Post
    So here are my musings on the next chunk of Donna Lee. I don't remember when the week for each portion starts, so I hope I"m not jumping ahead here. Also, I see one unified phrase moving into mm 13-14 so I've worked with the 6 measures, 9-14.

    That little bit that you weren't sure about from an analysis point of view could be seen as inserting a B7 (alt) in between the F7 (alt) and the Bb7 (b5).

  11. #185

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    Since I commented on Lawson's submission, I feel that I should post a clip of me playing.


  12. #186

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    Quote Originally Posted by alpop View Post
    That little bit that you weren't sure about from an analysis point of view could be seen as inserting a B7 (alt) in between the F7 (alt) and the Bb7 (b5).
    It could also be just pointing out the 3rd of Bb7 on the first beat, followed by a chromatic run down from the 9th of Bb7 to the b7, with this nice flipping of a and bflat around beat 3 of m13. Followed in m14 by the next chromatic run down to the b5 aka #11 .

  13. #187

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    I found this knocking around in my drive

    Bebop heads: Donna Lee-donna-lee-barry-haris-analysis-jpg

  14. #188

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    In case no-one can parse that particular map of hell...


  15. #189

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    Quote Originally Posted by bluenote61 View Post
    It could also be just pointing out the 3rd of Bb7 on the first beat, followed by a chromatic run down from the 9th of Bb7 to the b7, with this nice flipping of a and bflat around beat 3 of m13. Followed in m14 by the next chromatic run down to the b5 aka #11 .
    Absolutely. I over complicated. I sang D-C-B-A over a B7#9 and it sounded good. But your explanation makes more sense. That is a cool trick (D-C-B-A-Bb) to land on the root of the Bb7.

  16. #190

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    Quote Originally Posted by Christian Miller View Post
    In case no-one can parse that particular map of hell...

    Thanks Christian. That was very helpful to me.

  17. #191

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    On to lick 3, back to 3 fingers...


  18. #192

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    Good thread and good stuff, I've been on holiday, but hopefully I'll catchup.

    I don't like Miles on the original version, he's not playing in unison with Parker, so I'll copy the head from this Tenor Sax version by Bob Reynold's, which I do like.

  19. #193

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    Yeah Parker learned it wrong I guess haha


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  20. #194

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    Thanks to everyone contributing to this thread. Your bravery has inspired me to learn from your example, though I suspect 8 weeks won't be enough

  21. #195

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    ^ Line 1 and 5 are identical, so it's only 7 weeks of material.

  22. #196

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    Quote Originally Posted by Jimmy Smith View Post
    ^ Line 1 and 5 are identical, so it's only 7 weeks of material.
    And we have two measures of RESTS.

  23. #197

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    Quote Originally Posted by lawson-stone View Post
    And we have two measures of RESTS.
    Cue argument about how to finger rests.

  24. #198

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    Quote Originally Posted by lawson-stone View Post
    And we have two measures of RESTS.
    Always look for the silver lining, and try to find the sunny side of life.


  25. #199

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    Quote Originally Posted by Old Nick View Post
    Thanks to everyone contributing to this thread. Your bravery has inspired me to learn from your example, though I suspect 8 weeks won't be enough
    8 weeks won't be enough to get up to speed, but you can get it under your fingers. One bar at a time. 4 bars a week is less than one a day, and a bar is only like... 8 notes. Surely you can learn 8 notes a day.

    Just be sure to post a clip so someone can catch if you learned it wrong. (Thanks again guys)

  26. #200

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    Don't forget to also work on solo ideas. Scales, arps, intervals, and chromatics over the changes.