Never heard of it but if I apply it to my own neck regularly will I become a virtuoso?
Or just not have a sticky neck on very hot days? I guess I could settle for that but I'd prefer my first...
I've seen this in the minor blues turnaround F7 E7 Am, key of A minor. It's the first time I see a Bb7 A7 Dm(7), key of C. But it looks and sounds very logical.
Useful insights, thanks :) Interesting re. bass motion and those two tunes.
In the key of C and in the key of A minor:
G7 E7 Am(7)
C7 A7 Dm(7)
I think those two function as minor...
Here is my arrangement (attached) - the chords anyway, obviously I wouldn't play it straight like this (oh, I forgot to add an intro to it, I'll do that). I'll record my rendition.
Re: the tune...
So C7 and A7 don’t really form a ii-V because C isn’t the ii. Bb7 and A7 would be closer to the ii-V movement because that bVI7 chord is a pretty sub for V/V, particularly in a minor key. Calling it...
I've always liked Time After Time.
Not sure I'll get the current song recorded as I am recovering from 3 - 1 hour sets of bashing out rock n roll for a dance crowd last night. (I'm definitely too...
I'm looking at these changes:
C | % | % | G7 |
% | Dm7 | G7 | C |
C7 | Bb7 | A7 | Dm7 |
Dm7 Bb7 | Em7 A7 | Dm7 G7 | C ||
(The tune is normally played in the key of F but I've transposed it...
Not a fan of in-ear monitors. I was in a project once that was considering in-ear for everyone... If in the future that happened again I would definitely come up with a reason to miss the rehearsal...
Just a Gigolo C7 Bb7 A7
Today, 03:40 PM in Theory