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Originally Posted by Babaluma
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06-20-2023 03:14 PM
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Some killer taste in blues. That Little Milton is a great jam I know a fella in Austin who kills that one every time, such a great tune.
Any snooks eaglin appreciatiors? George Porter on bass...
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Originally Posted by DawgBone
EDIT: I can't remember any more: was I touring as lighting technician with a hip-hop band at that time or was this when my own band was supporting Fun Loving Criminals or Fishbone?
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Snooks was basically a blind blues and soul virtuouso. I heard he didn't want to tour and risk losing his disability check so he stuck close to home. He is equally at home on an acoustic. Just a unique talent much different from his peers while simultaneously keeping the tradition. Always interesting listening.
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Originally Posted by DawgBone
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Originally Posted by DawgBone
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Originally Posted by DawgBone
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Originally Posted by yebdox
Actually scrap what I said before, go straight for the live set Stone Crazy:
Stone Crazy - Wikipedia!
Not wanting to bang on but probably the most intense live blues album and this is really no hype, even if you just have one moment for Buddy make it this
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Classical, Classic Rock, Blues, R&B, Gospel
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Originally Posted by Babaluma
All respect to Buddy for persevering all these years, likely turning thousands of people onto blues that might otherwise not get there. Probably has more cash in the bank than Robben and Matt combined, though probably not Bonamassa. Good thing we don't have to judge musical talent by financial statements.
Have to admit though, I'm really looking forward to hearing Eric Gales live. Of course, since he's admittedly heavily into Eric Johnson, I'm not sure that he's all that authentic and likely worthy of a public flogging, but I will try to cut him some slack while he searches to find the "one" note. (wink.)
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I keep coming back to Mary Lou Williams' album "My Mama Pinned A Rose On Me" from time to time which was one of the first jazz albums I ever listened to.
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Originally Posted by yebdox
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Big band swing, western swing, 40's and earlier country, Doc Watson, Merle Travis, early Chet, some earlier surf, some 50's rock, some Celtic, some ragtime. Absolutely no pop, hip hop, rock since '65. If I hear a distorted guitar, I'm gone. I'm old and I like old music. I can't see any sense in buying a $1000 guitar and using a $29 piece of electronic crap to ruin it's sound. Just me.......
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Oh man, better not mention the Klon Centaur
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Originally Posted by Christian Miller
He's from Bradenton though. If your band is louder than the sound of someone petting a cat in Bradenton, Sarasota, or Englewood you aren't invited back to the club. Them grey hairs down there need to be able to hear themselves chew dinner even if they can't hear to begin with. Palmetto is full of bikers and low brows, you can crank up a little more over there. Overall I found every gig outside of downtown St. Pete to be a waste of time. I generally only miss gulf coast Florida at sunset and during the TX winters....
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Originally Posted by DawgBone
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Originally Posted by Skip Ellis
I am constantly torn about being back there. My folks are old. But I'm not in with the Tom White blues clique so all he gigs I get are scraps left over from his bands and other stuff I can drum up on my own. Not enough. I was fittin to move to Homosassa last year but the buyer backed out of my house sale a day before my moving containers arrived so I took it as a sign and just said heck with it and stayed near Austin. First time in my life I'm paralyzed with indecision about a move. I used to just go rent a truck and do it. Owning a nice piece of land and home has complicated things. Strange.
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Originally Posted by DawgBone
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Originally Posted by Skip Ellis
I know life long locals who said the whole Tampa area took a huge hit musically post 80's-90's. I didn't get there til '03. For whatever reason I know a lot of heavy metal guys there, and it is the same deal for them. The rehearsal studio I used to hit weekly when I didn't have gigs was all metal guys. We were the only non metal act that used that studio. That seems to be their last refuge because there are very few gigs for them anymore. Tampa Bay used to be a center for metal music.
I had a jazz book when I was a student, Chord Concepts by Ted Shumate. A jazz guitarist. He used to have a residency at the Hurricane on St. Pete Beach in the 80's. So there was a lot of stuff happening, even on the beaches. It's all gone. Pass-a-Grille is as dead as a door nail these days. A rich neighborhood. Now they want a bunch of money to even park down there.
I can't believe you had to sell your steel due to lack of work. Florida, you can go from cosmopolitan to the most redneck area ever in about an hours drive. I would've thought a good steel player would stay busy especially since there aren't many steel players to begin with. That's disappointing to hear.
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Originally Posted by DawgBone
Sent from my iPhone using Tapatalk
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Originally Posted by Kirk Garrett
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Originally Posted by DawgBone
I get the authenticity and excitement of the live show, but it reminded me of Live at the Regal, so had to put that on and relisten. Not saying anyone is “better than”, as that’s not fair or necessary, but to my ears, I much prefer BB’s articulation, precision, phrasing, singing… I think he might be who most people have in mind when they say the can hear it in one note.
Saw BB live around ‘73 in a college gym, no stage, playing through a backline 50 (100?) watt Marshall half stack. Life changing moment. Same with seeing Ford, Holdsworth, Metheny, Bernstein, Landau, Corea, Hancock, Beck, EJ all live for the first time. Maybe takes more than one note, but all powerful and unique. Always wonderful when someone can really grab your ears and snap your neck around, demanding your attention… and it’s all the same 12 notes. Amazing.
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Bluegrass
Anyone know who made this? goodwill
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