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Our standard for Aug 2020 will be I Don't Stand a Ghost of a Chance (Victor Young, Bing Crosby, Ned Washington, 1932).
Background:
Jazz Standards Songs and Instrumentals ((I Don't Stand A) Ghost of a Chance (With You))
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07-31-2020 01:22 PM
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I don't know if anyone's interested but there's an interesting little trick here (if we didn't know it already).
Bar 3 is a m7b5-7b9. You can sub the V of the relative major key for a ii-V - so Em7b5/A7b9 = D minor = F maj = C7.
It can be played straight but that C7 over Em7b5/A7b9 can also be played as C7alt - i.e. C# melodic minor. It works, certainly as a change from the harmonic minor and other known stuff.
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I love this tune. I recorded this video almost two years ago.
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Just the head, basic bossa fingerstyle.
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That was very nice KirkP. I enjoyed the bossa vibe there.
I love this "version" from Treme TV series, Wendell is such a great actor and this show is one of favs from all the time.
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Originally Posted by clebergf
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Speaking as complete newbie (jazz-wise), how does one go about learning one of the jazz standards? Do you start with the chords, and if so, are there chord tabs available somewhere?
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Originally Posted by Sunjamr Steve
Here’s one:
http://valdez.dumarsengraving.com/557JazzStandards.PDF
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Originally Posted by Sunjamr Steve
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Originally Posted by clebergf
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Originally Posted by grahambop
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Originally Posted by Sunjamr Steve
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Originally Posted by Sunjamr Steve
Free Jazz Guitar Lessons
Start with the beginner chord lessons. It’s good to learn several inversions of all the basic 4-note chords so you’ll be able to quickly find any chord in various voicings up and down the neck.
When I play solo arrangements (a.k.a., “chord melody”) I try to first prioritize the melody and bass voices, then squeeze a couple of chord tones in between. If the melody note is a chord tone I’ll use a chord voicing that has has that melody note on top. But melodies aren’t generally restricted to chord tones, so I need to be able to play the upper voice somewhat independently of the rest of the chord. There are melodic devices such as chromatic approaches and enclosures to embellish any of the voices, but get the basic tune together first.Last edited by KirkP; 08-09-2020 at 06:47 PM.
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I searched a little but could not find anyone singing it...
To me Bb (#9) sounds nice/jazzy leading from the 3rd of the G7+ to the 6th of the C chord.
Of course in attached example I play it up an octave compared to your take.
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Originally Posted by hohoho
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Thanks Graham!
Ella Yes!! Very bluesy! She "fooled me" by singing another melody on "just for a" (3rd, 3rd, 6th),
but landing strongly on the #9 on "(ten)der".
But Frank? Sounds to me like he is singing two major 3rds on "tender". Also on other takes as far as I could hear...?
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That Bb is just a passing note really, I’ve listened to a few vocal and instrumental versions and some people use it, some don’t.
Wes Montgomery doesn’t, but Joe Pass does!
All 3 charts I have show it.
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Originally Posted by grahambop
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hohoho -
The point is that, like Graham, on all my charts it looks like this:
That's a B natural followed by a longer Bb. It didn't sound good when I played it in a slow version. What made it sound bad is the B nat before the Bb. Sounds like a mistake, like your finger slipped.
However, if it's all speeded up and you just play a Bb by itself it sounds fine - just a #9 sound, after all - down to the A.
So on the slow stuff I ditched it. On faster versions (not posted here) I put it in.
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By the way, listen up at 0.54. Joe doesn't play it as written there (not that he has to, of course). He plays a long B nat and slips the Bb in as a passing note. Not quite the same :-)
And Wes does a long B and twiddles the rest.
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Nice tune this. If it wasn’t so damn hot here, I might have a crack at it myself!
(I haven’t touched my guitar for a week now!)
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You're young, you have time
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Originally Posted by ragman1
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:-)
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Couple of entry level arch tops
Today, 01:28 PM in For Sale