Here's mine. As usual, I didn't know this one before. I wasn't going to post, but I listened to it today and I didn't hate it as much as I did last nite. And hopefully I'll continue with it during the month and improve.
Oh, that was better, sounds more thought-out. Familiarity with the tune helps, of course. No one's that good the first time. The blues sounds were good, suits the tune, I think.
Out of curiosity, what were the Garrison Fewell tips you were using, roughly? Not that I want to copy them or anything but for interest's sake.
It's one of the study threads in the Improvisation forum. It's to do with triads w/extensions to create lines. It's something I've been interested in for awhile now, but never found anything I seemed to "get". His book "A Melodic Approach" looked good and has really made sense to me so far.
I forgot to mention something cool and money which is very important obviously ( plus some questions at the end ).
The cool part is that during the solo tunes a guy came up to me and asked me...
^ Yep. But why are all jazz songs only in half the keys? :P
I learn the song and internalize it, then I mentally transpose it and take it thru the keys. I'd spend some time re-internalizing it...
Sorry about that. I rage quit my digital Hammond recently. Thankfully I didn't destroy it tho because I can get several k back selling it.
You might want to consider a realistic practice...
FYI: Just came across a program called Moises which is great for track separation. I tried it using the album Fitzgerald and Pass Again. It totally enabled me to eliminate the vocal (sorry Ella)...
Yes, it really help. I saw a physical therapist who had my wife take pictures of me while playing the guitar and the PT made some good recommendations about correcting my sitting position while...
Agreed. There are a bunch of good players who used archtops and didn't play jazz, or only played some jazz. Mel Brown, blues/soul/jazz ES175. Fenton Robinson, blues, Byrdland. Charles Dennis, blues...
Moises
Yesterday, 11:58 PM in Everything Else