Here is my 1956 Gibson L7CN For sale. It includes a rhythm chief 1100 pick up from the 1960s mounted by a stick. Guitar is all original except for the pick guard set ups. I have three set ups one is acoustic, second is a Lollar blade Charlie Christian style pick up, And then the 1100 rhythm chief. Asking $5399 shipped domestic net to me.
Some light scratches and dings, but absolutely crack free. Frets are good and playable, but on the last crown. This is likely an update the next owner will need to do some time down the line.
Nice guitar but you want the same price as Reverb. You might do the forum a favor and give them a break if you sell it through the forum, you don't pay any fees.
A bump for a great vintage setup. Guitar is clean and great shape vintage pickup setup is solid and versatile. Knock $800 off is you don’t want the pickup.
Never heard of it but if I apply it to my own neck regularly will I become a virtuoso?
Or just not have a sticky neck on very hot days? I guess I could settle for that but I'd prefer my first...
I've seen this in the minor blues turnaround F7 E7 Am, key of A minor. It's the first time I see a Bb7 A7 Dm(7), key of C. But it looks and sounds very logical.
Useful insights, thanks :) Interesting re. bass motion and those two tunes.
In the key of C and in the key of A minor:
G7 E7 Am(7)
C7 A7 Dm(7)
I think those two function as minor...
Here is my arrangement (attached) - the chords anyway, obviously I wouldn't play it straight like this (oh, I forgot to add an intro to it, I'll do that). I'll record my rendition.
Re: the tune...
So C7 and A7 don’t really form a ii-V because C isn’t the ii. Bb7 and A7 would be closer to the ii-V movement because that bVI7 chord is a pretty sub for V/V, particularly in a minor key. Calling it...
I've always liked Time After Time.
Not sure I'll get the current song recorded as I am recovering from 3 - 1 hour sets of bashing out rock n roll for a dance crowd last night. (I'm definitely too...
I'm looking at these changes:
C | % | % | G7 |
% | Dm7 | G7 | C |
C7 | Bb7 | A7 | Dm7 |
Dm7 Bb7 | Em7 A7 | Dm7 G7 | C ||
(The tune is normally played in the key of F but I've transposed it...
Not a fan of in-ear monitors. I was in a project once that was considering in-ear for everyone... If in the future that happened again I would definitely come up with a reason to miss the rehearsal...
Just a Gigolo C7 Bb7 A7
Today, 03:40 PM in Theory