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I'm looking hard at this. Will be a couple months but it's the top of my list. Want it mainly to record songs (my own) at home. Some would use BIAB/Reaper but others would just be me and a guitar. (I guess that goes for videos I make here for study groups and the like.)
Is the bundle the way to go? (Interface, headphones, condensor mic) Or is it better to just get the interface and the rest separetely. (I have a Blue Yeti mic now and a very old Audio Technica one.) My current headphones are cheap-o ($15 bucks, IIRC).
Anyone have the bundle and like / dislike it?
Is the mic good (enough)?
Alternatives?
Here is how Sweetwater describes it: Focusrite Scarlett 2i2 Studio 3rd Gen Recording Bundle | Sweetwater
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07-29-2020 07:17 PM
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I have a windows 10 laptop and a Focusrite 2i2. I don't record with a microphone, so I don't even need headphones. I monitor with a guitar amp. Works great.
Reaper is free to evaluate, then $60 to buy. The 2i2 is something like $100.
Takes a couple of hours to learn enough to record and do simple edits. If you want to get to the bottom of the program, clear your schedule for a few lifetimes.
I haven't compared my 2i2 to anything else so I have no comment to offer about any other hardware. I think I have the original version. I think they're up to version 3. I'm no expert, but, for my purposes the 2i2 has been perfect. It sounds good to my ears, not that I'm trying to make audiophile recordings. More important is that it worked perfectly as soon as I plugged it in and followed a couple of simple instructions from a video tuturial (you have to tell Reaper what to look for). I didn't have to adjust anything else. Reaper and the 2i2 worked without any issue with latency. All monitoring seemed instantaneous (which is a lot better than I did with Ableton Live a few years earlier, with the same 2i2).
Here's my system. Windows 10 laptop. 2i2 plugs into it by USB. I plug the guitar into one input on the 2i2. I plug a cable into one output and the other end into a guitar amp.
I might have Musescore export an MP3 (or individual MIDI tracks) and import them into Reaper. Or, somebody may send me a backing track in wav, mp3 or midi. Reaper will accept any of them. I set up a new track for my guitar part, arm it and hit record. I can then hear my backing track through the guitar amp and I play along with it. After recording, hit Play and hear it all through the guitar amp. Might have to adjust input level. If you do it right, the Reaper click will line up with your tracks which might make it easier to keep time.Last edited by rpjazzguitar; 07-30-2020 at 04:17 AM.
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Hi Mark,
That bundle looks good to me
(but incase you want to save some dough)
Which AT mic have you got ? It may well be absolutely fine ....
an interface .......
i just bought a behringer UMC 202hd for £59
Behringer U-Phoria UMC202HD – Thomann UK
l am very very pleased with it .... good for Mics and DI'ing guitar
but I'd deffo get some comfortable ! (very important) decent Headphones
I personally like Sennheiser
and I prefer open back ones (so i don't feel so isolated and alone)
something like these would be fine ....
Sennheiser HD 559 – Thomann UK
You'll deffo need a mic stand too
for home use a cheapo one will be okLast edited by pingu; 07-29-2020 at 09:06 PM.
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First question would be, "Is your studio 'near field'?"
That is to say, do you have an entire dedicated room to record and playback or just a section of a room?
If your set up is to be like my own i.e. near field, then IMHO save your money for headset and monitors.
I use KRK KNS-6400 open back and PreSonus Eris E4.5 monitors through Focusrite 2i2
Pro Tools DAW or Audacity on budget...good results from record to print.
Money should go first to headset and monitors then mics. I don't think bundles help; they actually sell you short.
Just my experience.
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I would go separate only because of flexibility. Guitar Center or Sweetwater can fix you up with headphones at any time, they don’t need to be world class.
and mics are a small world unto their own.
I’m not judging the bundle but I don’t know how to check it out in advance. The 2i2 works though. That I do know.
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Originally Posted by WILSON 1
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My son has the 2i2 and it’s solid gear. I agree with others that you should think about picking out the various items separately. There are so many headphone choices nowadays. I have had a pair of these Sony MDR7506’s for something like 20 or 25 years now. I replaced the ear pads last year. They have gotten a ton of use and still function perfectly. You are cursed with a veritable cornucopia of choices for both headphones and microphones.
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At this point, even though it is great quality, I think the 3rd gen Focusrite 2i2 bundle is not as competitively priced as the 2nd gen had been. Currently, I think the PreSonus bundle is priced better to get everything at once. They are a bigger player in the game than Focusrite, and equal quality.
PreSonus AudioBox 96 Studio USB 2.0 Hardware/Software Recording Kit | Sweetwater
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Originally Posted by cosmic gumbo
If you have an interface without the mixer dial, when monitoring you can instead adjust the mix volume in Reaper to balance to the mic or adjust the mic gain to balance to the Reaper mix. I don't really want to do that, I prefer having a mixer dial on the interface.
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Originally Posted by cosmic gumbo
I'll definitely give this serious consideration.
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Originally Posted by pingu
It's an AP901 unidirectional Lo-Z Dynamic. (This pic is from Reverb---my mic isn't this beat up!)
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I just looked at the OP again.
If money is tight...
If you don't need great quality on a mic'ed part, then you don't need a fancy microphone. For lesson videos and the like, a pair of ear buds with an in-line mic (the wide spot in the wire) will work. You may have one, or if not, they're less than $20 for a decent pair. I wouldn't record singing, but it should be okay for speech.
If it's just guitar, you can go straight into the Interface. If, otoh, you want to mic an amp, then you'll need a decent mic.
In the mixing process, you need a way to be able to hear the music on good speakers or headphones. A home stereo can work for that. It's not a studio reference monitor, but it will get you in the ballpark. That said, when you're mixing, the equipment you listen on does make a significant difference. You can end up with your mix sounding fine and then, when others hear it on different equipment, typically, they're complain about the bass.
I have a Sennheiser e609 mic. $110 or so. Sounds great. It's flat. You can mic a guitar cab by looping the cable through the handle and hanging the mic off it. The audiophiles will say that the mic should be a few inches further from the speaker, but it sounds fine to me. I like the fact that I don't have to carry a mic stand.
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Originally Posted by rpjazzguitar
I do want to record vocals (sometimes).My old Audio Technica mic would work for that, I think. It's from the '80s but it was never abused, so it should still be fine.
As for the guitar, I have a small Fender amp which sounds okay for what it is but I would like to record it direct (at least sometimes.) That's one thing I see as a plus with the Scarlett 2i2: they record guitar very well (from what I've heard.)
Maybe I should just get the interface first, see what I can do with that, get some feedback on the results, and then decide what I most need next.
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This guy has been doing great, detailed reviews of all the interfaces in the same range as Scarlett.
Julian Krause - YouTube
I recommend that you check it out before buying.
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I use a MCA sp1 for vocals and acoustic guitar: Sorry! Something went wrong!
I was turned on to that mic by a high level studio guy. I really like it. (It's really a medium capsule condenser mic or so I've heard people say). I'm pretty sure it would work well on electric guitar amp but I've always used an sm57 for that.
I used it on the vocals and acoustic guitar of this. The first verse/refrain of Keith's vocal was on the SP1. Long story but he had to fly back home and recorded the other verses with an AKG C214. So on this you can compare the 1st verse $70 SP1 to the other verses $400 AKG C214.
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I'm certainly not a mic conosoir, I just bought my mic based on a recommendation. Best I could do was take that recommendation and read some reviews. I've had the mic for so long that I'm not even sure youtube reviews existed when I got it.
Recently there is a great resource for comparing condenser mics, it's actually amazing. They put a ton of thought and work into this tool. You really need good headphones or speakers to really benefit from it.
Audio Test Kitchen | Compare the gear. Trust your ears.
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Originally Posted by MarkRhodes
So far, it's worked just fine, for my purposes and for my standards. If I want to mic an amp, I have the gear, but then I have to record with headphones (mine are heavy) which is a little less comfortable, physically and musically.
Obviously, a recording engineer with pro standards for his work will feel something unpleasant in the back of his throat upon reading this.
On the subject of an input volume control on the interface. For most, it's a feature. But for me, it could be a bug. It provides another way to make an error with gain structure. Even without that knob, there are a lot of ways to adjust volume. Mixer output, channel strips, effects, wave form manipulation and I don't know what else. Not to mention the knobs on even a simple interface, the ones on the guitar and amp, if any. I'm probably forgetting a bunch. If you don't lose track of the overall picture it's a convenience.
The one thing you can probably be sure of is that nothing happens without an interface. And, plenty can happen with one.
My Focusrite came with Ableton Live. I found it difficult to use, with eliminating latency being a particular hassle. As I recall, I was eventually able to figure it out, but, a month later, I couldn't remember how. I probably didn't put in enough time watching tutorials. A few years later I decided to try Reaper instead. One video, maybe an hour long, was all I needed to get going. It started with the guy taking an old laptop that had never had Reaper installed, and going through it step by step from that very basic beginning. It was entirely clear.
This one, iirc.Last edited by rpjazzguitar; 07-31-2020 at 03:23 PM.
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I like my 2i2, not that it means it's the best.
And I don't know about the bundle.
I use Reaper. And for mics a sm57, e609, and Samson vr88. It's a fairly good, fairly inexpensive setup.
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I recently got the Focusrite 2i2 and Reaper, sounds great to me.
I already had an AKG C1000S mic which I bought many years ago, it now sounds very good and noiseless via the XLR connector on the Focusrite. Also it’s great being able to use it on phantom power.
Previously I had to install a battery in the mic and I had no way of connecting via XLR, so I was just using a mic cable with XLR to standard plug, not such a good method.
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“Maybe I should just get the interface first, see what I can do with that, get some feedback on the results, and then decide what I most need next.”
yes , good idea
you won’t waste money on things you
don’t need ....
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Thanks to all for commenting on this. I appreciate the suggestions and info.
Like I said, it will probably be a couple months before I get whatever I get. At the moment, the Scarlett 2i2 (but not the bundle) seems the most likely choice and part of the reason for that is that many people here have one and are pleased with it. That means a lot.
Meanwhile, I should write some more new songs...Last edited by MarkRhodes; 07-31-2020 at 10:56 AM.
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The Focusrite 2i2 is a good choice; I still use some of the plug-ins that came along with it. While the Scarlett line seems to be a somewhat different "department", Focusrite mic preamps have long been highly regarded by the professional recording community. Sony MDR 7506 headphones are pretty much the standard for production mixers (film/video), and should be fine. Speakers are a better option for mixing. I haven't kept up with all the new mics/manufacturers available today; I do know that the mics made by the established European makers such as Neumann, DPA and AKG sound great, but they are often prohibitively expensive. If you're miking an amp (as opposed to an acoustic instrument/vocalist), you may want to consider something as simple as a Shure Beta 57. Personally, I'm happy recording my Cushman archtop using the direct out from a Bud amp.
In any event, have fun and be creative -
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As others have recommended, I'd skip the bundle and buy individual components/software. I recently swapped my 2nd Generation Focusrite 2i4 for a Solid State Logic SSL2. I found the audio playback quality noticeably better.
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As I'm on Linux my choices for audio interfaces were few when I decided to get one recently. So I needed something that would work out of the box, no fancy drivers or online registration procedures .. (I believe Focusrite 3rd gen changed somewhat in this field compared to their previous models).
Luckilly I found this one: Roland Rubix24 – Thomann Portuguesa
It's a great little piece of gear, 2 ins with 4 outs, and some 100 Eur below the bundle you posted, I believe?
With those 100 you may get a nice microphone. The thing is, with a bundle you get what they give you which may not be exactly what you'd need/choose in other circumstances; ok, you need an audio interface but do you need those headphones and that microphone?
I'm not saying that that you don't - just do some reading on studio microphone types to see the options you have, that research is fun and you end up learning a lot in the process. Then when you choose a particular type of microphone go and search for options in that particular type. Chances are you may find something that you really need and end up paying less.
About my audio interface, as I'm giving online lessons this one has a particular button that ended up making a world of difference to me... it's a small loopback switch (I just wish it was in the front panel, but hey...) that allows me to send the sound of my PC to outputs; which is great if I need to show some YT examples to my students. Roland is not a name usually associated with audio interfaces but they sure did a great job on this one... oh, plus a compressor/limiter in it! Little things that come super handy.
About the headphones: recently I was having lessons online in a "Project" class and I had to record and produce a track, online colab with some colleagues, record, mix, etc.
One day I asked my teacher about some good headphones ... he basically told me "you mix with a system that you know well, with a system where you hear all your music, where you may be able to compare your track with others that you listen to regularly". My answer was "so I'll need to built a studio in my car"But you get the idea
It's not the headphones, the brand, the type, whatever. It's about listening in a system that you are already very familiar with.
This problem came to me as I had 2 sets of really nice JBL headphones at home. I was using the same set in my studio and the other was usually moving with me - tablet, phone, etc. So one day I decided to try that set in my studio and the sound was so so so different that I ended up messing big time my mix. Completely lost my references.
So my advice would be. Personally I never got lucky with bundles. Choose an audio interface that does the job you need to do. Then think in what circumstances you could use an microphone and do some research with those goals in mind. Forget about the headphones
Hope it helps (somewhat, at least!)
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I have a windows 10 laptop and a Focusrite 2i2. I don't record with a microphone, so I don't even need headphones. I monitor with a guitar amp. Works great.
Another Recording of my TK Smith Special
Today, 05:45 PM in Guitar, Amps & Gizmos