The Players

How do you understand the 5th and 6th bars of...

L-5, L-50, ES-150 questions

Ham Radio

Lush Life - Solo Guitar

You Only Live Twice - Solo Guitar

What a lovely Tribute. I love the Dragonfly. I have a Japanese katana adorned with the Dragonfly motif. Lots of Japanese symbolism regarding this; one, as I am sure you know, 'A Protector of...

New Wilkie Acoustic Archtop Build

No need to move on! You're both right, really. Could Freddie improvise these parts? Almost certainly yes. But do they adhere to the chord progression closely, not move around on every beat, and...

The Summer of Rhythm Guitar 2024

You probably haven't made the following mistake, but I have, so I'll just put it out there. When copying down the serial number of a device, I transposed a couple of numbers. Thereafter when I...

Help me date my Peerless Jazz City please

I'm not sure if I'm working with the same changes you are but the piece is primarily centred around one tonal area using secondary dominants to take a sort of "grand tour" of that key. The piece has...

How do you understand the 5th and 6th bars of rhythm changes?

The Barry Harris move is I think the easiest to wrap my head around. Bb7 for one bar and then Eb7 for the next.

How do you understand the 5th and 6th bars of rhythm changes?

Beautiful and thoughtful working of that gem of a tune. You've got a really nice touch on the instrument, a lot more going on with the right hand than most people. I hear a lot of what classical...

Don't Explain - Solo Guitar

I have the Leavitt Classical Studies book from back in the 70s when I went to Berklee. There are a number of Kreutzer pieces in there. I still play a few of the Bach arrangements and read through the...

Kreutzer studies for guitar

Watched last nights show from start to end and enjoyed it immensely. There was no piano player, so Mike Stern’s sound really helped fill things out when he was comping. I was looking forward to...

Frank Vignola's Guitar Night, an ongoing concert and livestream series

CQ CQ When the internet is crippled, ham operators have been an important part of emergency communications as has been proven. Who can still communicate in Morse code? Early coders, ha ha.

Ham Radio

Hi folks, I'm working on rhythm changes recently. How do you understand the 5th and 6th bars? Some article says it's a modal interchange and the Bb7 and Ebm7 come from the Bb Mixolydian and Bb...

How do you understand the 5th and 6th bars of rhythm changes?

They are sturdy compared to the L-5. I have two (one on borrow). They are comfortable and definitely electric.

2022 Heritage 575 Special Order

Headstock fractures almost always occur by uneven acceleration of the neck and headstock. The headstock pocket allows continued flexion while the top of the neck stops motion by the support under...

L-5 Repair by Mark Campellone

Pawlowski. I’m not shure how improvising could mean not to follow the progressions. I guess my first post left the impression that I have no clue of what I’m doing, The FG style is well...

The Summer of Rhythm Guitar 2024

Great guitar. I have one and love it. A bit heavy and possibly overbuilt. For some reason they seem hard to sell. GLWTS!!!!

2022 Heritage 575 Special Order

Nothing under the fingerrest (brace)? I for one made a foam buffer that slips under and over that brace right up against the fingerrest that I put in place whenever I take my archtop out in its...

L-5 Repair by Mark Campellone

Playing the changes vs. playing over the key center

Rosewood vs Maple fretboard head to head - There's a difference

Jazz and Blues Single Note Soloing Recommendations ?

Telecaster - Single Coil or Humbucker?

Do these chords exists? Any different name for them?

Eliminating the Metronome for technical studies?

Not really sounding very 'jazzy'. Is it in the playing technique?

Are Modern Amps Repairable?

Blues and Jazz-Blues Comping Recommendations ?

Don Cherry on Lennie Tristano

Rich Severson’s top 5 guitars

JGO Virtual 'Bluez' Jam (Round 3) - Straight No Chaser

Lets go and compare improvisation to spoken language.