If the change were C to A7, it would be pretty common.
Same for C to E7. Pretty common.
Changing the C to a C7 doesn't seem like that big a deal.
The intervening Bb7 can be considered a...
You're actually on your way. Your use a lot of open strings, but it's your sound and it defines who you are as a musician. Don't change that.
The jazz sound is a combination of phrasing and the...
alpop, you can always post a recording of Rainy Day this coming week. There's really no time limit to posting recordings it's just that we move to a new tune every two weeks.
Glad that you enjoyed...
Never heard of it but if I apply it to my own neck regularly will I become a virtuoso?
Or just not have a sticky neck on very hot days? I guess I could settle for that but I'd prefer my first...
I've seen this in the minor blues turnaround F7 E7 Am, key of A minor. It's the first time I see a Bb7 A7 Dm(7), key of C. But it looks and sounds very logical.
Useful insights, thanks :) Interesting re. bass motion and those two tunes.
In the key of C and in the key of A minor:
G7 E7 Am(7)
C7 A7 Dm(7)
I think those two function as minor...
Here is my arrangement (attached) - the chords anyway, obviously I wouldn't play it straight like this (oh, I forgot to add an intro to it, I'll do that). I'll record my rendition.
Re: the tune...
So C7 and A7 don’t really form a ii-V because C isn’t the ii. Bb7 and A7 would be closer to the ii-V movement because that bVI7 chord is a pretty sub for V/V, particularly in a minor key. Calling it...
Just a Gigolo C7 Bb7 A7
Today, 03:40 PM in Theory