Reacting to this once more after seeing the Kirk guitar a few more times in different videos:
Crossovers are widely available and great fun to play. Mine has a 1 7/8" nut and a 25.4" scale...
I think anyone who posts quotes from ChatGPT deserves all the derision he gets, as does a keyboard player posing as an authority on guitars. It should just be expected.
Meanwhile, back at the ranch.....
I actually just tried this so you wouldn't say I was unfairly dismissing your hypothesis. I did it with my Epi LP (active EMG), my ESP (SD HBs), and my Raines...
Aesthetically, it’s Venetian for me without a doubt. Overall, I just prefer a non-cut, and that includes for electric.
Deacon Mark, I think the reason Florentine L-5 and Super 400 CES seem to...
Florentine cuts were already around w the intro of the ES-175 but it was Kenny Burrell that got the ball rolling on them w/ Super 400's, L-5s and the short lived Switchmaster florentine cut.
a...
Great advice. This is a very nice section.
I'm getting my fingers under this stuff now as well and it is quite gratifying to play when you get it right.
Upper structure extensions of the chord and alterations of the chord would also be chord tones.
Sorry to … um … split hairs.
Anyway … arpeggio implies a structure to me. Like when I think of an...
I've spent this afternoon working with the Coda section and have come to appreciate the way Arnold has constructed this section. There is some very nice voice leading, some nice syncopation, a full...
I’m confused as to why the Florentine would cause more breaks? Surely the inner radius of the Venetian is greater because it has to do more bending?
Of course I’ll bow to those in the know but could...
Florentine vs Venetian: which one is better?
Today, 03:29 PM in Guitar, Amps & Gizmos