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According to George Clinton , " What is soul ? .....soul is a ham hock in your cornflakes "
op. cit.
TBH I think all the soul went out of music around the time of Dufay and Ockeghem but I realise this is a minority opinion .
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06-28-2023 06:18 PM
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Random enthusiasm
Last edited by James Haze; 06-28-2023 at 11:57 PM.
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I never heard Barry Harris mention the words 'soul and jazz' in the same sentence positively.
That said I can be a very ham handed player.Last edited by A. Kingstone; 06-28-2023 at 11:43 PM.
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I've noticed quite a few people using the word "feeling" as a synonym for having soul in music. I would say they definitely are strongly related. I also think that how to put feeling into your playing, or discerning how other really good players are accomplishing that, is probably something one should consider. That stuff is some good mojo to have in your playing, Right?
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BH had a lot of feeling in his playing, but not much 'soul.' Soul and feeling are not synonyms. I stand by my definitions of soul from my original post I made on it. I think it's accurate.
Originally Posted by Jimmy SmithLast edited by Bobby Timmons; 06-29-2023 at 03:13 AM.
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Originally Posted by ruger9
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By random I just came across this:
From "How To Perform Autophysiopsychic Music" by Yusef Lateef (2. ed. 1995, in which he BTW acknowledges "the technical assistance of Barry Harris")
THE SOUL
Many questions have been asked concerning the soul. What is it? Where does it come from? How is it developed? Why is it important? What significance is it?
The soul is the genesis to human life. It is born with the individual and is the gyrating force which determines the thought processes of good and evil. It does not descend from the heavens or from any outside place. When a person is born he/she has all the properties that makes an individual whole, including the soul. As with puberty, when a certain age is reached, human being become cognizant of their sexual powers. At certain stages of development the musician becomes cognizant of their soul, or that there exists within the self: a soul. It is at first hidden and imperceptive, though its essence is contained in the body as a seed within a shell, and as the body is gradually developed, the soul grows along with it and becomes manifest. It is a bright essence. It is latent in the seed as fire is latent in the flint. When this inner light is flashed before the individual he/she becomes consciously aware that within is a force to explore-then the individual sets out to know more about it.
The soul is an entity with extreme importance. If great emphasis is placed on physical and intellectual development and none given to the soul, there is an imbalance in the nature of the human being. All things in life are governed by the law of nature. There are as well laws governing the soul. It stands to reason that soul-development plays an intense role in the social habits of man, particularly noticeable among the artists. He/she must strive to gain the highest level of consciousness and awareness by developing the mind, body and soul on an even balance. What follows is pure, individual, creative expression.
All things and beings in the universe are connected with each other, visibly or invisibly and through vibrations of the soul are the most powerful and for reaching. Soul-vibrations communicate like an electric current from soul to soul, they work through the chord of sympathy existing between man and his/her surroundings and reveal past, present and sometirnes future conditions. When a person speaks, thinks, or feels either harshly or kindly of another, it reaches the spirit of that one either consciously or unconsciously by the power of vibrations, If we happen to be offended with someone and do not show it in speech or action, yet it still cannot be hidden, for the vibrations of our feelings will reach directly to the person in question and he/she will begin to feel our displeasure, however far away he/she may be. The same is the case with our love and pleasure however we may try to conceal it in speech or action it cannot be hidden. In the activity of all things the pitch is recognized by the seer, as a musician knows the key in which any particular music is written. Man's atmosphere tells the grade of the activity or his/her vibrations and these are felt through the soul.
Autophysiopsychic music allows the performer to deliver his/her message or say what he/she has to say musically. With his/her soul attuned to other souls he/she is capable of giving deep and far reaching experiences. If the musician is in harmony with the self and humanity, great spiritual heights maybe obtained. Their expressions will be a continuous cycle of the pouring forth of heart and soul.
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Originally Posted by James Haze
It just means that the music has depth, a sense of it being real, genuine, not imitative or just for show. Again, these are just words but the words aren't the thing itself.
I'm actually amazed we're having to discuss it so much. To quote Louis Armstrong, 'if you have to ask what jazz is you'll never know'. Same thing with soul. You know it when you hear it. Or maybe you don't, of course!
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Originally Posted by Jimmy Smith
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I didn't know that. He's still not much of a 'soulful' player even if he plays jazz blues.
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The thread title doesn't actually specify which kind of guitarist is so soulless. We've centred on blues, naturally, but I don't think the jazz guitar is really given to 'soul' as such.
I don't think I can put my finger on any particular player whose jazz playing is full of 'soul'. Wes, maybe. Maybe I'm missing something. The sax, sounding like the human voice, can convey emotion fairly deeply but perhaps the guitar is a bit thin for that unless it's playing something a bit more visceral.
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The feeling and degree of experienced "soul" can also depend on the degree of of intoxication of the listener, be it spiritual, physical or chemical.
While it may be obvious that many performers put 'soul" into their performances, the perception of "soul" also depends on the listener.
From my own experience as a listener I can say that this is highly variable. One day I may listen to a particular performance that moves me to an incredible extent, another day it might be something that I " just listen to".
YMMV
Cheers
TLB
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Exactly.
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Originally Posted by Christian Miller
He was doing his thing in (I think) Shakespeare & let out a blood curdling scream as he left the stage,
as he passed the Method actor (can't remember who) waiting to go on he winked, grinned & whispered 'got 'em!'
Method actor was most upset & told Olivier he was 'cheating' - Olivier said he'd read that wild mink were captured by
putting salt on the ice of frozen rivers, the mink would lick it & their tongues would freeze them to the ground, hunter gets
the Mink without any damage to the fur.
'I just think about that dear boy, much easier'
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Originally Posted by MrTriangle
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Originally Posted by Christian Miller
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Originally Posted by Bop Head
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Originally Posted by James Haze
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"El Lame-o"? Seriously?
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Originally Posted by ruger9
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Originally Posted by dconeill
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Originally Posted by James Haze
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Originally Posted by dasein
Really, this is just a cheap shot. You told us more about yourself here than you did about the "60 year old retired hobbyists" who just play the music because they love it with a passion a drone like you could not possibly comprehend.
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Originally Posted by BigDaddyLoveHandles
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Originally Posted by Bop Head
But, for what it's worth, I didn't know he was called 'Giant Joe' either. I've never heard it.
Sweetwater has a reverb type site
Today, 06:25 PM in For Sale