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I've been listening to a fair amount of Steve Cardenas and Adam Rogers lately. I'm interesting in your favorite jazz albums that are primarily recorded on a 335 (or 335/345 like guitar). Of course, there is Grant Green's fantastic body of ES-330 recordings, as well as Emily Remler's. There are also all the great Larry Carlton and Lee Ritenour recordings from the 70s and 80s.
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09-25-2020 01:31 PM
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The first few Scofield albums feature his 335. Love his sound on both Rough House and Shinola/Out Like A Light
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I love everyone you have named above. I also have really been digging Charles Altura's playing lately. Lots of stuff on youtube of him playing with Chick Corea and Tom Harrell. Some others:
- Any and all Sco
- Reiner Baas
- Dan Wilson on his Benedetto 335
- Dave Stryker
- Not their primary guitars by any means, but there are some videos out there of Kurt Rosenwinkel and Mike Moreno on 335's
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Cardenas and Rogers are wonderful!
Everything by Steve Khan!
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Originally Posted by jameslovestal
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An ES 330, actually:
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And early Kurt:
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Ted Quinlan (Toronto)
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mclaughlins 345...he took off stop tailpiece and added bigsby b-12
from maha's site-
1976 Gibson 345 with Bigsby
This is one of my all time favorite guitars that I bought in 1978.This instrument has been modified with a scalloped fingerboard and of course the Bigsby. I played this guitar in the One Truth Band.
cheers
ps- notice mini hum in neck position
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I dig Adam Rogers - "Sight."
Not an album per se, but a great set:
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[QUOTE=jameslovestal;1063903[/QUOTE]
great comping..very smooth chords..love the 'organ/guitar trio..a la jimmy smith/kenny burrell..
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I’m not sure what he use on his albums, but Pete McCann get some nice sounds from that 335 live
https://m.youtube.com/watch?feature=...;v=86votSSNM-0
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May not be a household name but german jazz guitarist Volker Kriegel used an ES335 most of the time.
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Some really great suggestions here!
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I don't have any. Not a fan of the 335 in jazz. I don't find the Quinlan or Stryker tones above appealing at all...too bland.
I was going to say that Emily's tone sounds quite different and surprisingly good, but now I see it's an ES-330...this confirms my negative view on the 335 in jazz. Just too bland without effects (and I'm not into effects).
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Ditto!
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Originally Posted by Average Joe
That album is sssooo underrated, btw Hal Garper and Nussbaum also did they contribution.
I did not know it was a 335, thx for the information, this helps me appretiate Gibson 335.
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Originally Posted by marcwhy
(of course this does not stop me to look elsewhere, and try new guitars and amps, because it is surely not in my hand so it must be elsewhere :-)
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Originally Posted by arielcee
c'mon, Ibanez John Scofield signature models does not count as Gibson 335... if it would then every standard double cutaway thin hollowbody would count.
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Originally Posted by Gabor
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Originally Posted by arielcee
Actually, Scofield got is first Ibanez AS-200 in 1981. Before that, he played a 335. Therefore, my guess is that those songs on first few albums from '77 - '80 where we hear a semi-hollow (including Rough House) was his 335.
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Originally Posted by SkipBurz
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John Scofield can be seen with his dot neck 335 on the sleeve of "Who's Who"
Can somebody confirm that he was using it in the famous Carnegie Hall concert with Chet Baker and Gerry Mulligan ?
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Originally Posted by JFranck
16" 1920s/30s L5
Yesterday, 08:44 PM in For Sale