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Can't really argue with the vote for Wynton Kelly. However.....Dexter. Gordon. Hip as the day is long.
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05-29-2016 10:23 PM
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"anyway - come up with a player who might realistically be considered to play more hip more of the time than wanton"
Bill Evans.
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The universe is a tough room to work, but I'd give this guy at least honorable mention. They built a record empire around him and hardly anyone knew his name while it was happening. The tunes weren't jazz, but he sure as hell was. How hip is that?
(back in the guitar lane: check out the tremolo picking at 2:41 by Joe Messina)
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Originally Posted by jasonc
I doubt we could ever agree on "hipness" anyway; up to a point perhaps, but not completely. Different things matter to us, we don't listen the same way or for exactly the same things, and we're just not wired up identically.
PS I agree with Nick about Blue 7, although Sonny's book is huge, so it can be hard to pick.
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05-30-2016, 02:45 AM #80destinytot Guest
OK. Calls for some time travel - and my favourite song. Charles Lavere was hip.
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This early Dexter came up at a cocktail place I was playing at - we Shazamed it because I had no idea who it was. Early Dexter right on the swing/bop cusp. Check out the articulation is in his playing, a little more legato, a little more Lester, but you can hear the Dexterness waiting to come out, that fat tone.
Very swing vocabulary. Contrast with Bud's solo.
The tune itself sounds like it's based on a line from Lester's Shoe Shine Boy, no?
Very hip, in any case.
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I thought of him as well. In spite of his enormous popularity, he still remains, among others, the ultimate musician's musician and certainly embodies everything that is hip. Good call.
Originally Posted by Greentone
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05-30-2016, 07:21 AM #83destinytot GuestOriginally Posted by christianm77
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Some really great candidates for hippest, but I'd like to nominate Oscar Brown Jr.
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really you're talking an endless refining and redefining and reinterpreting of what hip is - what hip sounds like
jimmy smith's the sermon was one of my first records - i heard that long blues on side 1 at some party when i was maybe 21
it made the world a much much hipper place than it had been before
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For across the board, multi-directional groove, sensitivity, in the pocket creativity and taste, I nominate the one and only:
Mr. Herbie Hancock.
Miles, crazy side man gigs (including studio dates with Wes and Benson), VSOP, funk, dance, work with Metheny and Brecker in Dejohnette's band, collaborating with Joni Mitchell on the fabulous The River album, collaborating with Dexter on Round a Midnight.... Etc.
I love Wes and Benson, and appreciate all the great innovators like Diz, Miles, Lester, Dolphy, Monk, but for sheer hipness across a lifetime of collaboration, I would have to say Herbie.
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Originally Posted by TruthHertz
If I learn this...will I be 'hip'?
Now to demonstrate my earlier point about my concept or misconception or just be a smart ___-
I nominate Pat Metheny - I read recently he has 20 Grammys and has gotten rich playing his own Style of Jazz and I assume even non Jazz fans come to see him often..
He has achieved what most Guitar Players dream of...but didn't make the ' List'.
Too successful too universal too much 'pop appeal'.
I get that its part of being 'hip' to be only known to the 'clique'.
Miles and Coltrane almost did both..
Benson...Last edited by Robertkoa; 07-01-2016 at 01:42 PM.
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Herbie is so hip he does not even walk or run, listen to him he just floats. He writes pop, pop jazz, invents new music, plays the blues and you can even hear stride piano in there. Man he is just Drift'n round the planet, probably goes off to visit his buddies in other galaxies now and then, such a Chameleon yet instantly recognisable.
Sent from my D6503 using Tapatalk
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Yes . That's true and Herbie is a very funky Master Jazzer.
He also looks amazingly youthful for his age...John McLaughlin is like that too...
good genetics but all the Meditation and other Spiritual things really work for some people.
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It's Herbie. I listened to Flood tonight. It's so Herbie.
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Glad you guys agree with me. There is no other who crosses so many boundaries so successfully.
Dig the solos here - Benson is over the top, then Herbie floats. I could listen to this track all day (and the original music is pretty awesome, too.)
And then, there's this, which is completely different, and puts me somewhere else:
Enjoy.
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Lotsa love for Smokin at the Half Note, which really sets the bar high for "Hip"- the loose, off the hip, self assured playfulness, the quirky risk taking, the masterful control of tension which becomes almost unbearable at times and always resolves in shockingly unexpected ways that make you smile, even laugh out loud, or just swoon...
That's the kinda "Hip" I'm always looking for and of course there are hundreds of players we've all heard that can deliver it. But in my listening there are probably only less than twenty players in the history of all Jazz that I'd say were consistently "hip" in that brilliant, effortless way, and right at the top, alongside Bird, Rollins and Wes is someone that "discovered" Wes.
This, my friends, is impossibly hip...
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How about Roy Ayers?
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Definitely NOT this guy:
A mediocre (flamenco)?? guitar player with a Spanish stage name but who isn't really Spanish. Who hawked cheap guitars on QVC. And has a Zoro fetish???? lol Definitely NOT!!!
Seriously tho I say Herbie Hancock. Hep cat for sure and the way his piano lines float but are still right in the groove, amazing.
2 new & excellent Jazz Comping Truefire...
Yesterday, 10:22 PM in Comping, Chords & Chord Progressions