The Jazz Guitar Chord Dictionary
Reply to Thread Bookmark Thread
Page 1 of 4 123 ... LastLast
Posts 1 to 25 of 100
  1. #1

    User Info Menu

    Salut dear members from whom I have learned so much by reading a lot.

    Excuse me if you find this corny or if it has been done already. I checked the forum but didn't find a similar thread:

    I would love it if you'd post your Top 3 of guitar players who in your opinion have a guitar sound that is just magnifique!

    So not about what they play, but their tone, even if the distinction may be a bit artificial. Jazz guitar players, including fusion.

    I'd love to post them too, but you first!

    Jazz Guitar Players With Your Favorite Tone - Top 3-my-precioussssss-jpg

  2.  

    The Jazz Guitar Chord Dictionary
     
  3. #2

    User Info Menu

    Peter Bernstein
    Peter Bernstein
    Peter Bernstein

  4. #3

    User Info Menu

    Grant Green--all phases of career, but especially early on Blue Note
    Barney Kessel--anything with the heavily customized ES-350/CC
    Kenny Burrell--all of his stuff, Gibson and Heritage

  5. #4

    User Info Menu

    Lage Lund
    Peter Bernstein
    Jim Hall

    sneak in Victor Baker

  6. #5

    User Info Menu

    Jimmy Raney, Lage Lund, Matthew Stevens

  7. #6

    User Info Menu

    Quote Originally Posted by docbop
    Victor Baker
    And that's with guitars of his own design and construction. Just fantastic.

    If I got in a "sneak" vote it would be either Jimmy Raney or Herb Ellis...tough call.

  8. #7

    User Info Menu

    just Tone? For jazz I lik Jesse van Ruller, Bruce Forman, Bernstein.
    For blues/fusion Robben Ford, Larry, Mike Landau.
    Of course all amazing improvisers/ players too

  9. #8

    User Info Menu

    I think Wes had a great tone, especially on his pop records. Jesse Van Ruller has a great tone too. How about Martino's tone on his "starbright" record. That's hard to beat.

  10. #9

    User Info Menu

    Charlie Christian
    Oscar Moore
    Jimmy Raney

  11. #10

    User Info Menu

    Grant Green
    Peter Bernstein
    Kenny Burrell

  12. #11

    User Info Menu

    Charlie Christian
    Tiny Grimes
    John Scofield

  13. #12

    User Info Menu

    I don't like the sound of the pick hitting the string. I like more of a legato technique like Jim Hall's. The opposite of what I like is the Joe Pass Virtuoso album.

    I like players with effects (Rosenwinkel, Frisell, Scofield), because the effects help the guitar sound more legato.

    It's pretty hard to separate the tone from the player. Name a guitar player you don't like with great tone.

  14. #13

    User Info Menu

    Jimmy Raney
    Barney Kessel
    Kenny Burrell

  15. #14

    User Info Menu

    Kenny Burrell

    Rotem Sivan

    Me. I don't have tickets on myself, I have nothing to have an ego about, it is just that my now one month young ES 175 (through a Princeton RI) sounds like 1 & 2 above. It inspires me. Cannot wait to get home from work each day to plug it in.

    If I can't have me my 3rd would be Martijn van Iterson

  16. #15

    User Info Menu

    I'm going with:

    Pat Metheny

    Bill Frisell

    John Scofield

  17. #16

    User Info Menu

    Frisell
    Scofield
    Krantz

  18. #17

    User Info Menu

    Quote Originally Posted by danwaineo
    I don't like the sound of the pick hitting the string. I like more of a legato technique like Jim Hall's. The opposite of what I like is the Joe Pass Virtuoso album.

    I like players with effects (Rosenwinkel, Frisell, Scofield), because the effects help the guitar sound more legato.

    It's pretty hard to separate the tone from the player. Name a guitar player you don't like with great tone.
    Or try the opposite, name a player you do like with terrible tone.

  19. #18

    User Info Menu

    Johnny Smith
    Lenny Breau (only when he played a solid body)
    Kenny Burrell (only when he used his D'Angelico)

  20. #19

    User Info Menu

    To all: thanks for the inspiration so far! Nice to know how what you think, I love Kessel and Burrell also, and I'm surely going to start listening to Van Ruller en Van Iterson, and other whom I have not diven into.

    pkirk - when I read your first post - 3x Peter Bernstein, I had to laugh out loud as I now realized what inspired me to this thread. Listening to Peter Bernstein yesterday, and the months before, being amazed at his tone, which can be so different also, sometimes so fat electric, sometimes so woody. Always wondering wether it's the Gibson or the Zeidler. I'm also gonna relisten Martino's Starbright!

    My choice:
    1. Peter Bernstein
    2. Luis Salinas - on his Les Paul Standard through the JC120
    3. Eric Gale (may he rest in peace) - as can be heard on for example Paul Simon's One Trick Pony, on L5 with Mu-tron

    Danwaineo - Lee Ritenour
    nick1994 - Clint Strong (on Parker Fly)

  21. #20

    User Info Menu

    Chuck Wayne
    Jim Hall
    George Benson (especially the Gibson Johnny Smith he used on Breezin'

  22. #21

    User Info Menu

    Quote Originally Posted by nick1994
    Or try the opposite, name a player you do like with terrible tone.
    Actually, that's easier for me...well, terrible might be hyperbolic, but many Joe Pass recoeds, for example. Some Mike Stern, some Sco. I don't love Pat Martino's current tone, and Pat Metheny's current tone is actually my least favorite of his career. But I love all of those guys' playing.

    But picking a player who has good tone who I don't like the playing...that's hard for me.

  23. #22

    User Info Menu

    Early Howard Roberts
    Early Pat Metheny
    KennyBurrell

  24. #23

    User Info Menu

    Carlton, Ford, Eric Johnson

  25. #24

    User Info Menu

    Charlie Christian
    Barney Kessel
    Wes Montgomery

  26. #25

    User Info Menu

    Wes Montgomery's tone on his pop recordings
    Oscar Moore
    Laurindo Almeida
    Gabor Szabo
    Django's distorted Stimer pickup tone (nailed here by Stocholo Rosenberg):

    Frisell's tone on his live Guitar in the Space Age concerts
    Bobbe Seymour's jazz steel tone on his vintage Bigsby:

    Attila Zoller
    Early 60s Kessel



    I love Tal's playing but I always disliked his dry-as-a-bone, sustainless tone.
    Last edited by AndyV; 12-13-2014 at 08:14 AM.