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Originally Posted by Drumbler
Originally Posted by Drumbler
Peace,
KevinLast edited by ksjazzguitar; 11-30-2010 at 11:18 PM. Reason: typo
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11-30-2010 11:16 PM
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As far as jazz influences, here are mine; Santana, Miles Davis, and Al Di Miola.
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Originally Posted by dr. frums
With all due respect, Carlos and Al are mis-categorized my friend. I believe that they would not argue. At least Carlos that is.
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Originally Posted by Drumbler
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Originally Posted by max_power
There have certainly been tremendous musicians since that time. Many, many great artists.
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Originally Posted by max_power
Herbie and Chick,
Wayne S and Michael B,
Jaco and Stanley C,
Billy Cobham,
and on guitar - Wes, George, John, and Pat.
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Gosh folks, Miles continued to be influential long after Trane died, so it's not like Trane was the last great influence of jazz 50 years ago. Miles is still influencing us through all his ex-sidemen. Shorter, Herbie, DeJohnette, Holland, Chick, Liebman, Scofield, etc. Shorter is considered by many to be jazz's greatest composer. Weather Report is considered one of the greatest bands in the history of jazz, so Shorter's influence has been very strong. Remember that skinny electric bassist who used to work for him?
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I say these three:
Louie Armstrong
Miles Davis
Wes Montgomery
BTW Wes' influence can be heard on smooth or contemporary jazz stations on a daily basis. He is still huge for influencing what most non-musicians think is Jazz.
I could include the charlies, e.g., Parker and Christian, but bop and swing are not really played anymore. Both tragically died before their influence could gather momentum. Miles is included because he was modal before Coltrane, and he stretched pop music and hip-hop before he died.
Louis Armstrong was huge because had the biggest sound and personality. He almost single handedly pushed jazz on the world music stage.
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Originally Posted by qblue
sure but Charlie influenced Wes, and "every other electric guitarist since - whether they know it or not" (Kessel). so....
also, smooth jazz almost died recently. i don't rermenver the details but there was a large radio cancellation. it affected Ritenour and all the other smoothies.
and, some would say it ain't really jazz. some would say it doesn't matter because it's crap, and that if smooth was ALL that Wes had done he would not have become the historical player that he is.
some would say, but not me as far as you know.
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louis armstrong
charlie parker
billie holiday
miles davis
thelonious monk
chet baker
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12-02-2010, 03:26 PM #36Baltar Hornbeek GuestOriginally Posted by derek
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CHARLIE CHRISTIAN (for guitarists).
DaveG
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Originally Posted by fumblefingers
But what's up with smooth jazz radio cancellation? What does that mean?
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Originally Posted by qblue
there was something in the press at least a year ago about a major smooth jazz radio station/stations deciding to fold or re-program. something like that.
i think that they still have something on Sirius and XM though. i never listen so am not sure.
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Originally Posted by qblue
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Originally Posted by affseofl2654
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Originally Posted by derek
And Santana and Zappa are not jazz either. How many times does someone post that they play jazz?
No. Just because someone uses a Dominant chord does not mean it's jazz. And just because someone improvises does not make it jazz.
Sorry, got to go. I'm having a late lunch with Wynton.Last edited by Drumbler; 12-03-2010 at 03:12 PM.
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Originally Posted by Drumbler
Jazz is not dead, it just smells funny
F. Zappa
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Bill Evans, John Coltrane
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I'll go with Louis Armstrong. It's amazing how fresh his playing still sounds. It seems less dated that Parker's (-and I love Charlie Parker, so I'm not taking a swipe.)
Here's one of my all-time favorite recordings, Louis and Bing singing "Gone Fishin'." (No trumpet, just singing.)
And the unofficial theme song of New Orleans Saints....
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Louis Armstrong.
After moving to Chicago, Armstrong stepped away from the ensemble style playing of New Orleans and introduced the concept of the jazz musician as a soloist who developed a solo over multiple choruses of a song.
With the recordings of the Hot Fives and Sevens, Louis Armstrong left behind the dotted eighth/sixteen rhythms of ragtime and began to play with the triplet based rhythms that eventually became known as swing.
As a vocalist, he influenced every pop and jazz singer, male and female, for over three decades.
Monk's Mood
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