Here's mine. As usual, I didn't know this one before. I wasn't going to post, but I listened to it today and I didn't hate it as much as I did last nite. And hopefully I'll continue with it during the month and improve.
Oh, that was better, sounds more thought-out. Familiarity with the tune helps, of course. No one's that good the first time. The blues sounds were good, suits the tune, I think.
Out of curiosity, what were the Garrison Fewell tips you were using, roughly? Not that I want to copy them or anything but for interest's sake.
It's one of the study threads in the Improvisation forum. It's to do with triads w/extensions to create lines. It's something I've been interested in for awhile now, but never found anything I seemed to "get". His book "A Melodic Approach" looked good and has really made sense to me so far.
I always care about neck shape and size being somewhat ambidextrous,and writing with my left hand. Playing a right handed I’m sensitive to the feel, and having a large enough shape to feel...
Yeah! Apparently the Hammond, invented in 1935, was the very first synthesizer. It's just more dang skills to have to work up to work the switches throughout the tune. shreddin'
All mine are 2 and 3. They both work great. Maybe I slightly prefer 3. Drilling thru the heel cap into end grain is fine as long as you understand proper screw counterbore. The right size drill is...
I have Martin's duo course. It's great. He makes it look effortless.
We refer verbally to the course during our duo practice ( I took notes and discussed with singer ).
I've only played with an organist about twice, and long ago. Just hit me that you guys were tweaking all those switches and stops long before us guys had all the dang stomp boxes!
A functional-harmony perspective might name the note according to how it resolves: #11 resolves up, b5 resolves down.
Of course this won't apply in all situations. Case in point: jazz uses a lot...
So true about first fret. Knowing that just helps us gauge how much taper. My Lehmann is only about 1/32 thicker at 9 than the Borys. But it only tapers about 1/32 down to fret 1 and feels much much...
Piano is going very well. I'll do a piano tune in the next standards thread next week. I tried to quit Hammond but everyone got mad at me and told me not to, so I'm not. So I'm going to keep at it...
I would rather say slightly prefers, we both like them both a lot but that night with the setups we used He, I, and several listeners agreed if it was blind listening we would slightly prefer the...
This perspective (anti-enharmonic) is just based on the idea that a single pitch within the domain of a chord should not take two scale degree numerals but be determined as one or the other based on...
Peter Sprague & Leonard Patton "Can't Find My Way...
Today, 07:47 PM in The Songs