Here's mine. As usual, I didn't know this one before. I wasn't going to post, but I listened to it today and I didn't hate it as much as I did last nite. And hopefully I'll continue with it during the month and improve.
Oh, that was better, sounds more thought-out. Familiarity with the tune helps, of course. No one's that good the first time. The blues sounds were good, suits the tune, I think.
Out of curiosity, what were the Garrison Fewell tips you were using, roughly? Not that I want to copy them or anything but for interest's sake.
It's one of the study threads in the Improvisation forum. It's to do with triads w/extensions to create lines. It's something I've been interested in for awhile now, but never found anything I seemed to "get". His book "A Melodic Approach" looked good and has really made sense to me so far.
With reference to the arch, I recall my Elitist Broadway had a slightly more pronounced arch, and more pronounced recurve, and over all a more beautiful (to me) curve, than even my L5ces did. It was...
I play with the neck angled up fairly high (45 degrees, or maybe a bit more). I don't find that the strap button position makes any difference at all in terms of playing comfort or suitability for...
I'm a little confused by this thread. Last year a 90s Gibson Le Grand went unsold at a $7-8k list on this forum for several months. What's special (other than the name) in this JS to command such a...
TBH, I haven’t used the effects loop in my Blu and don’t recall seeing a level switch for it. It’s about 18 months old - I’ll look when I get home tonight.
With the 5 fret grip, you can play a scale from the first to 12 frets with 4 positions.
"you’d still get different fingerings every time you move up a fret"
Not many, much fewer fingerings than...
Monk's Mood
Today, 04:25 PM in The Songs