Here's mine. As usual, I didn't know this one before. I wasn't going to post, but I listened to it today and I didn't hate it as much as I did last nite. And hopefully I'll continue with it during the month and improve.
Oh, that was better, sounds more thought-out. Familiarity with the tune helps, of course. No one's that good the first time. The blues sounds were good, suits the tune, I think.
Out of curiosity, what were the Garrison Fewell tips you were using, roughly? Not that I want to copy them or anything but for interest's sake.
It's one of the study threads in the Improvisation forum. It's to do with triads w/extensions to create lines. It's something I've been interested in for awhile now, but never found anything I seemed to "get". His book "A Melodic Approach" looked good and has really made sense to me so far.
Since buying my Bud 6 last year my LJ has not gotten a lot of use. I recently tried the LJ again with my Reverend Pete Anderson Eastsider T style guitar using the neck pickup. Much to my surprise...
Never knew that, but there must be some exceptions. Joscho Stephan and Olli Soikkeli definitely do not in Troy Grady's extensive filming of their technique.
As long as we are ranting on reverb, how about how every guitar made in japan in the 70s is now a lawsuit guitar, as if that makes them more desirable. Or super rare. Yes, they only made as many as...
It makes crossing strings extremely easy, as the pick has to hardly move. However you have less definition and a much rounder tone with less treble. Yet another thing to puzzle us when trying to...
You can sweep pick the last line at the 6th fret, it's a GbM7 arpeggio (preceded by the notes Eb & F on the 5th string). I played the entire four bars in the 4th to 6th fret positions, shifting as...
Hello again,
I finally completed my restoration work, not perfect, but much better than original condition!
I used a smooth brush to remove all the sticky dust on the pickups and polished...
2 new & excellent Jazz Comping Truefire...
Yesterday, 10:22 PM in Comping, Chords & Chord Progressions