-
Our standard for Feb 2019 will be Night in Tunisia (D Gillespie, F Paparelli, J Hendricks, 1942).
Background:
Jazz Standards Songs and Instrumentals (Night in Tunisia)
-
01-31-2019 12:52 PM
-
-
-
-
Popular this one!
I'll break my own complaint and post this. Anyone who doesn't like this has stopped living!
-
The first six bars are usually written as
| Eb7 | Dmin |
but as I’m starting on the tune I feel my ideas flow better if I think of them as
| Bbmin6 | Dmin6 |
then improvise over the melodic minor scales in Bb and D.
I think the first chord could also be considered to be A7alt. Bb melodic minor is the altered scale of A since it includes the root, 3rd, b7, b5, #5, b9 and #9, so it still works no matter which name you choose for the chord.
Am I on the right track? I’m kind of weak on altered scales and melodic minor substitutions, so maybe this is a good tune to focus on some of that.
-
Yes I find it easier to view it that way too. Probably how Pat Martino would see it too, with his minor conversion approach.
-
I was doing Bbm6 - Dm6.
I think. Can't quite remember.
-
Some good ideas here from Chris.
-
Playing B note over Amb5 in the head - it is not good idea.
...also Ab -it is too nostalgic note.
I think Night in Tunisia is very energetic and rhythmic jazz tune making people happy.
-
-
The melody of this tune is a masterclass in line construction on minor II V I's
-
Originally Posted by KirkP
It's obvious that the first line on Eb7 is derived from the 'important minor' arpeggio with neighbour tones (Bbm triad, basically) - of course if you like to think that way, Bbm on A7 instantly suggest the altered scale - it's not how I think, but it can certainly point you in that direction. Later we have a characteristic b5 (Eb) in the melody.
(I would probably tend to see it differently, to me it's as important to look at how the notes in the line are functioning in relation to the target chord as any scale. I would also think Eb7.)
Anyway, look at the bridge, great examples of line building on a minor II-V's using the harmonic minor scales.
-
Originally Posted by ragman1
-
Originally Posted by grahambop
Real jazz guitar take.
Congrats.
Best
Kris
-
Originally Posted by ragman1
-
Terrific stuff, Graham! You've lost none of your old touch, I see. That's the way to do it!
-
thanks guys!
-
-
Originally Posted by christianm77
-
Ah, a Simon Fransman classic...
Jotw is Jam of the Week, a really great Facebook group in which a tune (or sometimes an artist) is "assigned" every week and everybody does their take. I keep it closer to the original intent of the group, usually just one chorus of improv...but as you can see, other folks take the assignment to creative new levels.
It's a great way to keep your chops up, learn new tunes quickly, and the folks are generally really supportive. I'd recommend anyone here to join--I've been doing it for about 4 years, and it's really taught me how to get inside a song quickly.
-
These (short) vids are also a legit really good primer for bebop line construction:
-
Originally Posted by mr. beaumont
-
Originally Posted by grahambop
-
Thanks Kirk, yes KB is definitely an influence!
Acoustic Image Clarus 2R Series III
Today, 12:57 PM in For Sale