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Here we go...
A lead sheet pdf
Straight No Chaser 160bpm.mp3 - File Shared from Box - Free Online File Storage
An mp3 backing track, note that for bar 12 of each chorus I added a ii V, Gm7 C7 for all but the last chorus where it stays on F7:
Straight, No Chaser.pdf - File Shared from Box - Free Online File Storage
Box
And here's one for learning and practicing the melody
Box
If someone wants a fast tempo, I'll do one more backing track. Let me know what tempo you want.Last edited by fep; 01-03-2012 at 12:54 PM.
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12-31-2011 06:57 PM
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I think the most important thing from this is, is that the 6th chord, which is normally a m7 (with alterations if you please) has been turned into a 7th chord for easier sounding chord passages. I think I heard him say that you could do this with any chord in the major scale, and turn it into a 7th for this reason, though I think it should be done with caution.
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So , Im the first to post a recording :-)
here is me and the band having a go at it
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That's a great jam man! You had some super tasty blues-jazzy licks, and I especially enjoyed the little octave part(s) .
I will be transcribing some of those to see what you were doing. Great sax solo as well, you're lucky with a group like that! Would love to have something like that going in the near future....
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Well ... this might be a good one for a blues player wanting to play around with some jazz. I may play around with this one myself ... and will surely listen in to the discussions and posts.
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Good job, Jay! good feel, good lines, good tone with a nice laid-back version of the tune. Sounds like you have a fun-loving band.
wiz
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10x guys, I love the blues so many possibilities on those Dom7s
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Very nice job. I enjoyed it!
fs
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personal goal: first jazz song attempt ever. just get comfortable.
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(Holy crap this is fast)
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Don't let the tempo cause you any grief! Blues are played at many different tempos from 60 to over 300. Also, many jazz players put II chords in front of the V chords and many also use a lot of altered dominant chords as subs for the the V chords. The improvisation possibilities are unlimited and the resulting lines are more about a good groove and how you feel at the time you are playing "jazz" blues. IMHO, of course.
wizLast edited by wizard3739; 01-02-2012 at 12:24 PM.
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Originally Posted by Jessesmit
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Originally Posted by fep
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Ok ... having some fun with this ... here's what I'm doing:
Step 1: Just run through the changes like I would at a jam session. Played with a Tele ... through a Tweed amp. It has some hair on it in a few places ... I can't help myself. And bends ... but just having fun with it.
Edit: Newest version is on post #117 ... has the head now ... still needs some work ... take 3 will be needed.
Step 2: Need to learn the head ... frankly it's throwing me a bit ... but I'll get it. Listening to Jayx123's excellent take will surely help.
Step 3: Apply some of the learning from a jazz in blues course I'm working through ... try to apply some of the lessons.
Step 4: Re-record another take and see if there is a difference. I'll add in the head in the beginning and end ... jam some in the middle.
I'll probably not walk away from here playing my semi-hollow totally clean through a solid state amp ... but I think this will be good for me. Feel free to give constructive criticism. Take it easy on me though ... I know I'm not a jazz player at all ... but hope to learn.
Last edited by doveman; 01-29-2012 at 03:22 PM. Reason: Updated take on post 117
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doveman - you have a great bluesy vibe going on there. I can hear the your main vehicle is the minor pentatonic/blues scale. I hardly use this scale when improvising on the blues (I should use it more). IMHO if you are looking for a more "jazzy" sound this will be obtain if the minor pentatonic/blues scale is only one of the tools used to improvise on the blues and not the main vehicle.
When I improvise on the blues (or on any tune) I usually think in layers the basic layer is the key center so in the blues there are 3 key centers (on for each of the dom7 chords) then the next layer will be the arps and the top layers will be the rest of the tools such as using the blues scale, the melodic minor, triton subs etc. connecting all these layers are chromatic notes.
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Originally Posted by fep
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Originally Posted by jayx123
During 2012, I really want to spice up my chops a bit and maybe record some jazz specifically. I'll still be a blues player in the end but I think my time spent here will help. Thanks again ...
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Yeah, truefire has some great lessons on jazz blues. I ripped a few from it last month.
I think when you start adding some 1 oatave arps mixed with chromatic and diatonic lines you will start hearing more options. There are some really cool idiomatic sequences to be incorporated as well. keep up the good work.
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Originally Posted by brwnhornet59
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Make sure you check out the 50 jazz blues licks. They are Taylor made for this template.
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I will definately check those out! Thanks for the tip.
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My favorite so far is the Benson lick.
I am glad that you are making head way. Keep up the good work!
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Originally Posted by Jessesmit
Originally Posted by JazzReggie
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Sorry to be late on this one, I didn't have time to do much with it. I apologize for the noisy background, (TV in the other room). I used a backing track from BIAB and the first two choruses are me trying to be creative with the comping. The other choruses are my improv, mostly by ear. I tried to stay away from pentatonics to get a more of a "cool jazz" feel and purposely didn't work much from the melody line. If I have time later this week, I will try to do a more up tempo version.
wiz
Straight No Chaser.mp3 - File Shared from Box - Free Online File StorageLast edited by wizard3739; 01-04-2012 at 12:53 PM.
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Nice work Wiz, I especially like what you do on the turnaround at the end of each chorus. and you surly have a cool vibe going on there.
what was that on 3:46?
Jay
Musima Record
Yesterday, 08:47 PM in Guitar, Amps & Gizmos