Threads 1 to 50 of 1320
I'm going to pipe up for Adam Levy's wonderful Sight Reading for Guitarists book. Quite a few of the reading exercises are based on a blues, and they are written with great style and imagination.
I was out last night and a friend did mention that naptha can leave an odor. Have you noticed that?
Thanks for the advice. I ordered a Di Marzio Area T dp417. It is on the way.
To be honest, I don't know. But if you count off a 4/4 tune as 1-2-3-4 and a waltz as 1-2-3, then why not 1-2, 1-2, repeated because it's too quick otherwise ?
it's also slightly thicker , not the same depth as a 175
Yeah that’s another caveat. Part of the learning process for etudes is that you have to unpack and figure out what’s happening on your own. Which of course is not any different than transcribed...
Actually, I quite like that! You'd certainly get some vocabulary from it. Maybe not the theory behind it, though, and it's not that cheap either. But it does sound useful enough to be useful.
https://youtu.be/3oHjXTZO33g?si=nBYyuQyynUCmCIe9
so ... if your going to steal licks.... move on to sax players like Frank Morgan and Johnny Griffin. The difference between Blues and Jazz Blues is the harmonic References. Simple answer.......
Thanks lawson-stone. Do you happen to know what kind of Yamaha he plays? I have a G-50. Pretty heavy amp but really powerful.
I'll look for that. Are you on a Mac?
Just the old Kay gussied up with some silly inlay stickers.
I like middle and ring for single note rhythm. I can help push with the index and it takes pressure off my individual fingers.
Having played Gretches for years the 3 control layout while different is comfortable territory. I leave it in the middle setting with the neck on full , and use the bridge like a Master and tone...
Why is the internet out of tune, and what can you...
Today, 03:07 AM in Guitar, Amps & Gizmos