Threads 1 to 50 of 1320
Thank you bako! Sent from my iPhone using Tapatalk Pro
I must express apologies. The thigh cushion I've been using is by Podoko. I bought it on Amazon almost two years ago, hence I forgot the brand name. I am very happy with it now, as I was when I...
Actually my "old" (?) violins are perfectly reliable and daily players. Every now and then one needs work that I do, this February one got a new fingerboard and tailpiece. Any instrument is better...
We must get back to the bop. I take full responsibility for this lapse. Here is some tinkering with the first lick, trying to fit it over every change. Made some iffy choices but I think it...
Yep. Generally, I don't think I have any business playing Monk's music.
I think I always ran away from monk tunes because they’re hard. I play bebop heads every single day when I do some of my single line technique stuff and that just makes tons of sense and seems...
Here's the relevant portion of the PDF: turns, with intervals.pdf - Google Drive
Henry Robinett Paths to Here Interview - by Eric Siegel This just came out. Eric Siegel and his Paths To Here series. Sent from my iPhone using Tapatalk Pro
The scale lengths are different between fender and Les Pauls, which I think plays more of a role in shaping the amplified tone, than the wood, on a solid body guitar. Regarding the difference...
Les Pauls have ABR bridges with a less steep back angle than Fenders. They are really not too far off from trapeze bridges in a way. But are you saying that if you installed a trapeze tailpiece on a...
You can't beat a good Ibanez neck. You cannot beat the playability of a good Ibanez. Only Westerley Guilds can compete. Jack get a maple Westerly SF2 and throw some flats on it.
Agreed but whether an ‘electric’ guitar has the strings pulling on the top or pushing down on the top, is a greater fundamental difference, regarding amplified sound.
I'd say solid vs hollow is a fundamental design factor.
An interview with Henry Robinett
Today, 08:49 PM in Everything Else