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I’d be more comfortable saying every good inside line can become an outside line
There’s many techniques for playing ‘outside’
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03-09-2024 02:57 PM
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Originally Posted by rpjazzguitar
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It brings to mind another quick story.
I had an opportunity a few years ago to play with Hamilton Godoy, who is an elder statesman of Brazilian Jazz.
I don't recall which tune, but at the end of it, my final note was pretty much a clam.
Instantly, Mr. Godoy played a chord (not the one on the chart) that made my clam sound like an act of genius.
It just reminds me of how melody/harmony/inside/outside is at the heart of great jazz.
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Originally Posted by rpjazzguitar
All his various protégés say similar things about Jim Hall.
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