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Originally Posted by John A.
Which is not a criticism, just saying I keep wanting to be able to hear the ideas better. But you like it, and that's what matters.
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08-06-2021 04:46 PM
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Originally Posted by lawson-stone
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Originally Posted by John A.
For me, playing clean is rebellion!
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Originally Posted by wzpgsr
(G7) F/G B D (-)
(Ab7) Eb C Ab G Gb
(G7) F D
(Try playing the vid at -0.5 speed)
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Yep, rag caught it.
I'm a very inside player. Pretty much everything outside you'll ever hear me do is purely visual, taking a sound I know would work inside and moving it somewhere where it won't.
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Originally Posted by mr. beaumont
Tangential stream of consciousness....
I’ve been realizing in a more fundamental way lately that approaching this shit from a theory first perspective is just so remarkably wrong. I’ve known that for a long time, but now I feel it. These virtual jams have proven that to me. With good ears, good time, and a few basic “structures” like triads and approach notes, you should be able to play a hell of a lot of “jazz.” Or when practicing just throw some random shit at the wall and resolve it. If it doesn’t work straight out of the chute, find some bit of it that does work and tweak it. I’ve been playing with things like AmM7 over CM7 and making it sound good (at least to me). But then also realizing that the same lick a half-step down (AbmM7) can *resolve* to C because G7 altered scale. Then I’m in this weird place of just playing by ear using notes from those two adjacent mM7 and that’s where, I think the magic of side slipping happens. The ear.
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Originally Posted by wzpgsr
Who said it?
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Actually... if you really want to hear what to play over all those G7 bars... try this scary stuff
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I usually am not usually an outside player. But, with all that G7 and strong rhythmic background, it seemed like a good time to try to play all wrong notes. Usually I don't play F# over G7. This time I made a point to do it. I should have included a warning.Last edited by rpjazzguitar; 08-07-2021 at 03:40 AM.
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Rags: definitely a a more buttoned down approach than I would take. We should go on the road and be the Rowan and Martin of jazz guitar or something.
Little Jay: nice work there. I liked the second a lot, and tone of both guitars was really good.
Tommo: Good one. Great flow and sense of groove. I like that choice of tempo, too.
Jeff: be I hadn't thought of Bodhisattva playing this (hadn't thought much period, truth be told), but I'll take it. I heard a little of your inner Jerry the, which fits well. Great to hear you go a little longer, in too.
RPJG: yeah, nice and spicy there! All kinds of outside and altered moves. The faster half was especially cool.
Wzpgsr: there place for analysis on some tunes, but I don't think this tune is one of them. I think this one is about getting your gospel on (or some twisted version of that in so of our cases) and grooving.
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Originally Posted by John A.
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Originally Posted by mr. beaumont
Originally Posted by rpjazzguitar
Originally Posted by John A.
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be the Rowan and Martin of jazz guitar or something
very interesting... but too acoustic
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Joe Pass- he play a little different notes in the head.Second note-he play A.There are A# in the books.
Section 'B" is also different:
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Originally Posted by rpjazzguitar
I think the first note in the head is a syncopy...Perhaps there are versions without a syncopy.I am not sure.
Best
kris
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Clean Tele sound...I love Telecasters.
Sister Sadie- clean Tele sound
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Ok, so here's a clean one. No hiding the clams and stumbles with sustain.
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Originally Posted by John A.
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Originally Posted by TOMMO
To your question about positions, I didn't spend any time mapping the tune out or trying different positions, or even giving much thought to the changes and form. There probably are more efficient ways to play this tune, and I probably should be more methodical.
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Originally Posted by John A.
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Personally, my avoidance of the 32 bars of G7 between choruses at a medium pace is wholly deliberate. It's like some form of torture :-)
16 twice in each chorus is bad enough
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Originally Posted by John A.
I think the first note in the head is after eighth pause...but maybe it doesn't matter .
Nice playing
Best
Kris
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Originally Posted by kris
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Kinda veers off into "Europe 1972" towards the end before I realized there's more changes for the last two minutes of the backing track. I thought this tune was gonna be a piece of cake, but it totally kicked my ass! At 175 bpm, this backing tracks smokes, but probably a bit past my ability to do anything but fly by the seat of my pants and get lucky once in a while.
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Originally Posted by wzpgsr
Julian Lage Trio - Sat 27th April - Marciac,...
Today, 03:57 PM in The Players