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Originally Posted by TommyD
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03-06-2010 07:43 PM
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To me, it is not too difficult to sing along to changes that are diatonic, where the melody you sing is diatonic as well. However, when I hear a bit of chromaticism over a diatonic progression, I can't really hear the exact notes I want, I just know chromaticism would sound nice at a particular point, and even if I could hear the exact notes, I find it very difficult to hit those chromatic notes while singing, since my ear wants my voice to stay inside the key. The same applies to altered dominant chords. I know I want a tense super locrian or harmonic minor-derived line, yet I can't really hear the exact notes I want, and I couldn't sing such dissonant notes from the diatonic key center. All I could do is define the range I want the line to fall in. How do you guys approach these situations?
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03-07-2010, 01:10 PM #28TommyD GuestOriginally Posted by derek
Tommy/
How is the Steve Howe 175?
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