I think this fits in well with this part of the book. I played through the cycle of 5ths, chord and then the dom 7th arp. I did this where I stayed in the same part of the neck so as to hit all five positions that Elliot shows in the book. I went far enough to hit all positions and then some. I took liberties at the end including a penatonic run which I think lives just fine along side the arps.

I hope this is self explanatory for those that want to go in this direction. If not, let me know and I'll explain further.

My blues sensibilities/tastes are more in line with Robben Ford and Larry Carlton than with the jazzier blues players. I don't think that matters though for this.