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Here are a couple of old style lines with chromatic tones. The first is over a ii V I in A major
--------------------l---------------l---------
--7-6-5-------------l------5-8-6-5--l----------
---------7-4--------l--4-7---------7-l-6---------
-------------7-4-5- l-6--------------l------------
--------------------l----------------l---------
--------------------l----------------l---------
The second is over a maj or dom chord and just chromatically targets the 5 and the 3rd of the chord so it's important that you hit those chord tone on the beat.
AMaj
------------------------5--------------------
--7-6-4-5----------5-7-----------------------
-----------7-4-5-6---------------------------
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Last edited by Marto; 12-18-2011 at 03:49 AM.
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12-18-2011 03:38 AM
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Originally Posted by JonnyPac
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No sweat!
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Keep the lines a-comin'! That's make this thread an epic resource!!
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A minor ii-v-i lick with lots of chromatic moves. 16th notes
Emin7b5
---------------------- 8-7-6-5---------------
---------------10-9-8----------8-------------
----------------------------------7----------
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A7#5b9
---------------------------8-7-6-------------
6---5-------------------6--------8-----------
--6-----6------5-8-7-6-----------------------
------7---7-8--------------------------------
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Dmin9
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5--------------------------------------------
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Last edited by Double 07; 12-20-2011 at 10:38 AM.
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To use over ii/V/i
In Em, so using /Fm7b5/B7b13/Em7(11)/ here:
|----10-8-9-7-8---------------------------------------l
|----------------11-10-9-8-11-7----------------------l
|---------------------------------10-9-8-7------------l
|--------------------------------------------10-9-----l
|-----------------------------------------------------|
|-----------------------------------------------------|
Straight 16th
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There's the topic starter for those of you getting in on page 2... Keep the licks coming!
Originally Posted by JonnyPac
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Here's one from Kurt Rosenwinkel:
--------7-6-5-7-----------------------------
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Simple as can be! It's 8th or 16ths and the "7" in this example is the "good" target note, the "6" is the passing tone, "5" another good note or neighboring tone. He played the lick a lot on the album Heartcore. Transpose as needed.
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Great thread!
Here's a couple II-V-I's in G:
Am7 | D9 | Gmaj7
-7-8-7-6-5--------|-----------------|--------
------------8-5-6-|-7-5-------------|---------
-------------------|----7-6-5-4-----|--------
-------------------|------------7-5-|-4------
-------------------|----------------|-------
-------------------|----------------|------
Moving the lick up a minor third:
Am7 | D7b9 | Gmaj7
------7-6-5---------|-----10-9-8-----------|------
------------8-7-5---|-------------11-10-8--|-7---
-4-5----------------|-7-8------------------|----
--------------------|-----------------------|-----
--------------------|-----------------------|------
--------------------|-----------------------|------
I couldn't get my bar lines to line up straight. How do you guys do that
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Interesting topic, here share a lick of Pat Martino to play on A7 # 5:
Audio example:
DivShare File - Licks sobre A7.mp3
Tab / Score:
http://i1208.photobucket.com/albums/...zz/licksa7.jpg
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G Lick with chromatics between the 3rd and 5th
| | | | | | | | | | | | | | | |
|----------------|----------------|----------------|----------------|
|----------------|------3---------|----------------|----------------|
|----------------|4-5-6---5-3-----|----------------|----------------|
|--------------5-|------------5-3-|------------2-5-|----------------|
|----------------|----------------|5-4-3---2-5-----|----------------|
|----------------|----------------|------5---------|----------------|
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Thanks for your contributions! Keep them coming! Seeing the actual common practice via data like this is always helpful- and fun too.
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Groovin' High based bebop lick (over Dm7 G7 C):
-----------------------3----------------------
------6-5----------------6-4-5--------------------
----7-----7-6---5-3-4----------5--------------------
--7-----------7--------------------------------
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Moffa Mithra
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