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Yeah that’s probably true. I wish classical musicians did a bit more. I remember my old classical guitar teacher had me do jazz adjacent harmonic analysis on whatever I was playing. Partly...
Yeah, that's a good idea, I'll start forcing myself to use the other parts of the neck.
Very good solo playing. Very good jazz sound and very good jazz taste and feel. Best Kris
I mean - it’s no surprise when you go back to theory/practice from the era when it was actually about people being able to improvise and write music quickly in a well established style it looks a lot...
I know about their guarantee, so I’m not worried about losing the purchase money, just the return shipping. Based on the reviews I’ve read and heard, I’m sure the Henriksen performs great. It’s...
I'd say they were an integral part of the music, classical included.
I put electrical tape around the pu and part of a sax reed to immobilise it (zoom in a bit) clumsey maybe but it works
You might have misread it. I said jazz players do it more than classical musicians and for different reasons, mostly to do with the demands of improvisation. And, yes, the theory isn't quite the same...
Color notes generally aren’t that interesting, alas. As much as we might like them to be.
Btw, why is neck pickup spring wider ? Less springy? Shorter? Is it because it isn’t supposed to be raised as high?
From my original order sheet: 16" body w/3"rim depth 25" fingerboard scale 1&3/4" nut width
That wasn’t what I saying. Jazz musicians analyse stuff all the time. Their purpose in doing is not (generally) the same as classical musicians. The theory they use in doing so is also different....
Well, I'll play interesting color notes and you play a lot of nonsense. I don't mind, it's been done before :-)
Reading recommendation: Don Byas on Art Tatum in Art Taylors "Notes and Tones"
Help me find Rattle on archtop
Yesterday, 05:39 PM in Guitar, Amps & Gizmos