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Went to a workshop with Bruce Forman and he was asked about the need to learn a song in all 12 keys.
He said that if one is doing that by memorizing the chords, that is a waste of one's limited ability to memorize.
Instead learn the melody. How the melody notes relate to each chord change. Play functional chord-melody, I.e. play some of the melody, hit a chord, go to the next bar etc.... Get this down in ONE key.
Then start the melody on another note. Rince and repeat.
Also, someone mentioned that they knew the melody to All the Thing You Are, down-pat, but had trouble remembering the chord progression. Bruce questioned if the guy really knew the melody, but if he really did like he said, and he used this functional chord-melody approach, he wouldn't need to have memorized the chord progression. I.e. it would just flow organically from the melody.
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03-05-2024 12:05 PM
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Originally Posted by jameslovestal
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Originally Posted by AllanAllen
At the workshop he also went over the 10 jazz standards one should learn and related it to his learn-the-melody, it will reveal the chords (by ear), type of approach.
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Originally Posted by jameslovestal
Do you remember any of those tunes? Like I said, on paper I like his system.
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Originally Posted by AllanAllen
* Take the A Train--[didn't catch a reason, perhaps because it moves to II?]
* All The Things You Are--hard, but best example of how the cycle works, and a great form
* It Could Happen To You (or Ain't Misbehaving)--Chromatic ascending bass line
* There Will Never Be Another You--Backcycling to IV
* Honeysuckle Rose--ii-V-Is, and the classic bridge, highly quoted melody
* Satin Doll--everyone plays it, and a great study in ii-V-Is
* Green Dolphin--cool form, "triadic shift--C to Eb to D to Db)" also cool backcyling through relative minor
* Just Friends--starts on the IV, great melody, check out Parker with strings
* Stella by Starlight--hard, but everyone wants to play it, so you've got to know it.
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Thanks for the list, I'm well on my way!
Stella By Starlight is the most boring forgettable melody I've ever heard and immediately forgotten a dozen times over...
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Originally Posted by AllanAllen
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Boring!?
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Yeah, right after the Stella part, when it changes completely into a vessel for upbeat trumpet and sax solos it's great. The head though, could be any BS intro, any forgotten verse. There's nothing memorable about Stella.
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Originally Posted by AllanAllen
Stella is a tie for my favorite melody.
Corcovado is the other, if you're curious.
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Originally Posted by pamosmusic
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Originally Posted by AllanAllen
One thing I’ll say for Stella is that the bass line really unlocks the melody. It’s pretty by itself, but against the roots of the chords it’s gorgeous.
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Originally Posted by pamosmusic
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You guys are going to get me to try again....
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Originally Posted by mr. beaumont
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And then you gotta do it in the original key too
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Originally Posted by mr. beaumont
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Originally Posted by AllanAllen
Stella By Starlight was the most popular 20th century song.
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Originally Posted by pauln
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Originally Posted by AllanAllen
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Originally Posted by AllanAllen
It can't be true since there is no consensus definition of "popular".
But Stella is one of my favorites songs and I find the melody compelling.
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Originally Posted by AllanAllen
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Originally Posted by pauln
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Originally Posted by AllanAllen
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