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Originally Posted by robertm2000
i believe they were originally out of the mosrite guitar bakersfield company..the later dunlop versions were ever so slightly different...
they've been scarce for years!! last got a few in the mid 90's
hah (just found) everything you want to know-
Bakersfield - Vintage Guitar Picks And Things
cheers
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07-27-2018 06:32 PM
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Blue Chip KS60 without speed bevels. For a slightly brighter sound then the KS50 (again, without speed bevels). They last forever, each pick has essentially 3 sides since it's an equilateral triangle, and they sound great. At first they sound a bit glassy but they settle in nicely (and do not wear out!!).
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Jazz III, red or black ones depending on the guitar/strings. They give slightly different tone.
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I don’t use a flat pick often, but when I do I pick with a Clayton horn.
Last edited by Alder Statesman; 07-28-2018 at 11:23 AM.
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After going through a mid-life pick crisis, I settled on Gravity Picks Classic Mini. They really work well for me for both electric and acoustic. I will occasionally use a Dunlop Tortex Jazz III, but Gravity is my go to. YMMV
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Originally Posted by Tal_175
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Jim Dunlop jazz III or Wegan Gypsy jazz. Somewhere, I have a tiny Danny Gatton Signature Pick
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Jim Dunlop Big Stubby 2.0mm. Slightly modified with a belt sander for better sound: cleaner attack without as much "click", and richer tone. Narrowed the working bit a bit.
I like the tone, and that it's thick and shaped/textured enough to hang on to with ease.
Sent from my SM-G930V using Tapatalk
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Standard 351 size, celluloid, 1.20 - 1.50, sideways.
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Fender extra heavy 354
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Little bitty Fender 358 heavy or Dunlop 205 on electric, Dunlop 1.14mm or pieces of the shells of deceased sea creatures on acoustic. Also use Fred Kelly thumbpicks a lot.
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Dawg Pick (David Grisman)
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Fender heavy for great jazz tone. Dunlop 088mm for everything else.
A good friend and member here sent me a few Dugain pics from France. Different materials for different tones. Amazing jazz pics.
DUGAIN PLECTRUMS ERGONOMIC GUITAR PICKS
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Golden Gate MP-12. It's a large, heavy mandolin pick.
I think it produces a softer sound than my prior pick, the Dunlop 206.
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I'm a big D'Andrea pro plec fan, but for the past few weeks I've been getting into gypsy jazz again, and I dug out my old Dugain. Wow, being waaaaay out of practice it feels a bit like I'm holding 4 picks while I'm playing, but the sound!
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dunlop .88 max grip
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Dunlop Ultex - 1.14, 1.0 for jazz, .73 for light gauge strings/ blues/fusion, and large Dunlop Jazz III in ultex for everything, but mostly Pro Plec for jazz. Wish they made every size and thickness in Ultex, it's my favorite material.
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Thalia 1.4mm
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Dunlop Jazztone 204
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There's really nothing that doesn't sound great using these amazing plectrums I keep finding in my pockets.
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Dunlop Big Stubby 3mm
I drop most other picks
I'm quite a clumsy picker tho and
Can't do delicate type stuff just thump thump
So don't take any advice from me
I think I'm addicted to thick picks now too
Can't use a pick with any flex at all
even for funky strumming things ... go figure
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Am I the only guy into rubber and wood?
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I never tried rubber. I have a number of wooden picks, of various species, some of which I made and some of which I bought. I'm not crazy about wood, but I do like it better than bone and horn, or stone. But different people have different preferences.
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I ordered and received Dunlop Jazztone 205's based on suggestions on this thread. I really like it. It's fast and creates a big sound. I also like it's pebbly feel in my fingers.
Acoustic Image Clarus 2R Series III
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