Threads 1 to 50 of 9436
I had a Loar L5 that I had to sell many years ago. An L12 would definitely fill that void.
Right, and those notes I mentioned, that's for "one note chords."
I have a problem with regards to learning jazz guitar and its been bugging me for a while. There is just so many facets to jazz guitar, one could spend a lifetime on a single tune and never really be...
"What’s interesting to me isn’t how good the AI song is, but how pathetic contemporary music is in general." So would an AI deep fake of a real-world shallow fake be an improvement? Time will tell...
It's a great question. the guitar is SO much quieter than the banjo it's hard to see how it could have caught on! Here is what I know, FWIW. I've played all-acoustic jazz guitar gigs, so I have...
Thanks. Are you saying the post war instruments are as good but different or better ?
So this would solve Allan's dilemma of what to play when he sees a funny altered chord symbol, right? Just ignore it and play Freddie Green type chord voicings. If anyone in the band notices the...
Post-war 17" carved Gibson archtops are usually quite different than pre-war 17" carved Gibson archtops. Typically, they are all excellent-sounding instruments.
Thanks Mark and Hammer for your thoughts. I'm looking in the UK. Not quite ready to fund a 30s L5 but there's one over here which is 12k and there's a post war L12 that is open to offers which would...
Mick-7 No, It’s mostly 1,3,5,6,7 and perhaps the occational 9. And of course some chromatics. More 1 and 5 than I had expected, and more collisions with the bass than I would have arranged myself.
I don't like many of his chord choices or combinations - e.g., voicings on the bass strings that sound muddy. Here are chords I'd choose instead for the Coda, which will preserve the descending...
I don't know how to go about learning jazz anymore
Today, 05:37 PM in Everything Else