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Just about to pull the trigger on a 65 Princeton Reverb to see how it sounds. I have the plug in and love it ( but in my experience plug ins always sound better than the real thing).
I have a Vox AC15C1 which I love though weighs a tonne for gigs.
Big difference is the Princeton doesn't have a master control.
Using it for fingerstyle jazz. Tele with a Lollar CC pick up in the neck. The Vox sounds bassy with it and it's very difficult to lower the pick up further.
Will be used for private play and teaching at low volume and gigs at higher volume.
Which would you choose and why?
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04-09-2024 09:14 AM
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Originally Posted by Liarspoker
As far as bass goes, it’s tough to say. 12’s tend to have more even response than 10’s, but also are more beamy/directional. So depending on things like the specific driver, the room, and where you’re standing in relation to the amp, one might seem bassier than the other, or vice versa. All I can really say is that the PR I had (which had a Jensen C10Q) was loud and pretty bassy.
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Not to confuse things, but a Fender Blues Jr. Has a master volume and EL84 power tubes like your Vox AC15.
Would that be a viable alternative for you?
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Originally Posted by helios
But will look into it anyway. Thanks for the suggestion.
It's just a pity that I don't live in a town or city where these are available in the local shop
I asked the local shop about getting in a 65 Princeton Reverb but they wouldn't although it would sell easily if I didn't like it I'd think.
Second-hand ones on our version if craiglist don't last long so there's demand for them.
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I own the Princeton Reverb 12, Sweetwater Edition with the Cannabis Rex. Such a sweet amp!
Owned the Vox AC15C1 in the past.
I never really got on with that amp. To my ears, it always sounded a little “raw” if you will, less refined. Not “pretty”, like the Fender(s), and it weighed way too much.
If there is any negative to the Princeton it would be that my hollow, semi hollow and solid body all sound pretty much like a guitar playing through a Princeton…which is sweet!
I notice a much stronger individual personality when playing through my solid state practice amp.
(Keep in mind that I only play clean.)
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I would suggest searching for these two models here. I recall both of these amps being discussed in great detail with plenty of inside views. Psionic Audio - YouTube
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I received the 65 Fender Princeton Reverb Reissue yesterday and now I'm in a real dilemma
I like different aspects of both amps. The Vox has a warmer sound but I prefer the bass sound on the Princeton.
Out of the students who I asked which amp sound they preferred 5 said the Vox and 1 the Princeton....
I play a telecaster with a Lollar CC pick up in the neck. What do you think are the optimal Princeton settings for that?
If only I could amalgamate the two sounds...
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Had rehearsal with the duo singer today. She prefers the Vox ....
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One thing I have found is that the Princetons sound is heavily dependent on the speaker used. Assuming you have a stock one with a 10” small mag Jensen it might be a fairly bright amp. I would try it with bass at 2 and treble at 3.
I usually use a larger mag speaker and do bass 3 treble 5. Usually I lower the bass further the louder the amp is.
I think the Princeton is the right choice for jazz.Last edited by omphalopsychos; 04-18-2024 at 06:41 PM.
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Liarspoker, I love the old "bass and treble at 0.5 trick" for Princetons.
I miss my Princeton a bit. I wonder if the guy I sold it to is using it...
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Yes start with bass/treble at 0.5 and go from there. Sometimes people assume the EQ is neutral at 12 o'clock but that isn't the case with a Princeton.
I have the '68 with a Celestion Gold and usually have bass on 0 with a Tele (neck pickup).
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Originally Posted by olejason
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Fender amps don’t have 0.5 guys.
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News to me, that's how I always set my Princeton. Both barely cracked open.
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I’m just saying the minimum value on the knobs is 1. So I think you mean 1.5. I get what you’re saying though and I think it’s clear to the OP.
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