The Jazz Guitar Chord Dictionary
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  1. #176

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    Ah! well a-day! what evil looks

    Had I from old and young!

    Instead of the cross, the Albatross

    About my neck was hung.

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    The Jazz Guitar Chord Dictionary
     
  3. #177

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    Quote Originally Posted by Hammertone
    Sorry, Jim - I didn't look for it. Ah, my one-off Seventy-Seven Albatross single-cut is better...
    Quote Originally Posted by Jim Soloway
    What's the scale length on that
    Scale length is like a Les Paul - under @24 3/4".

  4. #178

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    Quote Originally Posted by mr. beaumont
    Ah! well a-day! what evil looks
    Had I from old and young!
    Instead of the cross, the Albatross
    About my neck was hung.
    Yeah, those inscrutable types get top marks for guitar-building. For guitar-naming, not so much.

    I get some evil looks once in awhile, when the Albatross is hung about my neck (and after I have coaxed some suitably bird-like noises from it), but I suspect it has nothing to do with Coleridge.

  5. #179

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    Quote Originally Posted by Hammertone
    Yeah, those inscrutable types get top marks for guitar-building. For guitar-naming, not so much.

    I get some evil looks once in awhile, when the Albatross is hung about my neck (and after I have coaxed some suitably bird-like noises from it), but I suspect it has nothing to do with Coleridge.
    Lol, yeah it seems Seventy Seven's naming is inversely proportional to the quality of their guitars...one of the few brands I've honestly never heard a bad thing about!

  6. #180

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    Quote Originally Posted by Hammertone
    Scale length is like a Les Paul - under @24 3/4".
    That's the part that everyone seems to be missing about that Collings: the scale length is 24 1/8". That's the bit that really got my attention. (Not that I could afford it though)
    Last edited by Jim Soloway; 02-06-2024 at 05:30 PM.

  7. #181

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    Quote Originally Posted by Hammertone

    The boys over at Deviser have stumbled around this in their special way as well, using tortoiseshell plastic and other acoustic flattop design cues on a flat-top electric.
    I was on the Warmoth site this morning customizing a semi hollow with all tort"ish" shell binding and the neck as well (not hand poured of course) was fun, looked cool and if a person knew what they were doing could put together a really nice small semi hollow for a lot less than 6k, Collings and probably the Devisor as cool looking as they are (or not) just sayin. I was thinking how original I was being binding my fantasy guitar in tort...I guess not.

  8. #182

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    Quote Originally Posted by Hammertone
    Sorry, Jim - I didn't look for it. Ah, my one-off Seventy-Seven Albatross single-cut is better...
    I see your tortoiseshell and herringbone binding and raise you block inlays
    Namm '24-2651-jpg

  9. #183

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    Quote Originally Posted by mr. beaumont
    Ah! well a-day! what evil looks

    Had I from old and young!

    Instead of the cross, the Albatross

    About my neck was hung.
    water water everywhere nor any drop to drink
    Last edited by John A.; 02-06-2024 at 05:48 PM.

  10. #184

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    Quote Originally Posted by skykomishone
    Wow. That Hoyer Bianca is amazing. I have a 1936 Calace' from Naples, Italy, and I thought it was a piece of art. That's amazing.
    It’s so interesting, our individual perceptions of beauty. The look of that instrument, and others with that aesthetic style, is not my cup of tea at all. Perhaps if I viewed it in-hand I might feel otherwise, but I doubt it.

    AKA

  11. #185

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    Ah! well a-day! what evil looks

    Had I from old and young!

    Instead of the cross, the Albatross

    About my neck was hung.

    Coleridge is silent about the strap width and whether strap locks were standard.




  12. #186

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    Quote Originally Posted by John A.
    water water everywhere nor any drop to drink
    That's better!

  13. #187

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    Quote Originally Posted by Sleeko
    These chubby Dangelico's look mighty fine to me.




    A small taste . . .



  14. #188

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    New video from D'Addario with Pat Metheny and the new Ibanez signature:


  15. #189

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    Quote Originally Posted by matbard
    New video from D'Addario with Pat Metheny and the new Ibanez signature:
    He holds the guitar, but never plays it or talks about it.

  16. #190

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    Yes, he does not, unfortunately.

    From the way it looks, the way it is set into the body with 3 screws,

    the CC pickup should be built "properly" with the long magnets, I would really like to know the price of this instrument as well......

    I forgot, does it actually exist as a production instrument...?

  17. #191

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    Pat Metheny is using his PM model with CC pickup extensively since many years. The prototypes of the production instrument were shown at the NAMM, so they are supposed to be on thje market in the next months.

  18. #192

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    Quote Originally Posted by YOGA64
    Yes, he does not, unfortunately.

    From the way it looks, the way it is set into the body with 3 screws,

    the CC pickup should be built "properly" with the long magnets, I would really like to know the price of this instrument as well......

    I forgot, does it actually exist as a production instrument...?
    I hope you’re right about the long magnets, but that pickup mount by itself doesn’t mean much.




    Sent from my iPhone using Tapatalk

  19. #193

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    Plexiglass, just like on Charlie Christian's ES-150!

    (I keed, I keed)

  20. #194

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    That's a fine looking guitar right there ....

    I might have to get me one of them ....