The Jazz Guitar Chord Dictionary
  1. #1

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    I’m curious about the Eastman Pagelli with its « interesting design / look ».
    Does some forum members have experience with these guitars (PG1 or PG2)?
    How does it sound, how does it feel to compare with a traditional 17 archtop?
    What about the construction (braces?), its ergo fit, workmanship quality?
    Thank you

    Seb

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  3. #2

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    I have no experience with the Eastman but I talked to Claudio at the Frankfurt music fair for my report for Archtop-germany.de and played his offset archtop design (either the gringobeat or jazzability) – it feels very comfortable and just more compact and ergonomic than other 17" archtops.
    Ergo fit = great!

  4. #3

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    Thank you guavajelly

  5. #4

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    I would think it depends on how high you hold the guitar, dictating where your arm sits.

  6. #5

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    I love mine! Sold my Eastman 810 after I got it. (Had Gibson super 300, Fender Pat Metheny, Ibanez L5 clone before).
    It's surprisingly strong acoustically, fairly thin body, very comfortable to play with the offset and all I need.
    I also picked up an Eastman ER-O and an Eastman 7-string 810 since, but these are less often reached for

    I am looking for a quality gig bag that fits, as I don't have a case for it, and I don't need the original heavy hard case for my outings with it.

    Sean

  7. #6

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    I’ve played several and they always impressed me. Very, very good guitars. If you want a superb modern archtop for a good price, then you won’t be disappointed. Buying new might be risky because they might not hold their value. Expect it to be worth at least 25% less the moment you buy a new one. I’ve tried to sell a Romeo, which is a magnificent guitar. Couldn’t give it away and decided to keep it. I’ve easily sold other guitars of lesser quality for much more money. It matters what’s on the headstock.

  8. #7

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    Nice guitar the Blonde one I played some years ago. Just remember not liking the thinner neck profile as on many of the Eastmans. I got lucky finding a JP880,803CE, and a 810CE models with larger depth neck shapes.
    Great guitars and wished I had kept the 810CE. I commissioned a
    Tonemaster from Elferink and have played that for around 8 years now.

  9. #8

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    I bought a blonde Eastman Pagelli locally from Bill Eisle, a forum member who introduced me to this group. I was looking for an acoustic archtop to complement my Johnny Smith.

    The Pagelli model has been a delight to play, especially as an acoustic-electric. Bill had ordered a pair of hand wound Kent Armstrong pickups, a single coil (my preference) and a humbucker, and had each installed on their own Pagelli ebony pickguard. This made switching amplified tone a simple plug and play. I haven’t tried the stock Kent Armstrong humbucker.

    I have yet to experiment with different strings…especially flats, which I suspect will add some warmth and subdue what is a fundamentally a loud and bright acoustic sound. But the ergonomics (17” body that feels like a 16” because of its offset design), quality solid carved tone wood build, large C neck profile, 25” scale, jumbo fretwork, perfectly fitted ebony full contact bridge/saddle…it’s a unique package that I continue to enjoy. I would highly recommend it as a great value.

    The best part of acquiring the Pagelli was that I met Bill, his wife, and a whole new group of music and guitar friends here in Santa Fe.
    Last edited by hidesert; 05-11-2024 at 09:25 AM. Reason: Improve