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Hey Folks,
I just purchased one of these from an estate sale in the midwest. A friend picked it up and its currently being assessed by a reputable vintage shop in the area. Probably won't be in my possession for a few weeks. In the meantime, I had been doing some research on them and was curious to see what the Jazz guitar world had to say about them and/or their experience!
From what I've read, is that they are very similar to the Ga-40 with the exception of the Ga-45 having (4) 8" speakers instead of (1) 12" in the Ga-40 (I believe).
They were marketed and even labeled as "Accordion Amplifier", but I've read that they were killer Harmonica amps (Little Walter) and very good for guitar.
Here are a couple pictures of a nice example (not mine) of this amp.
Anyway, always interested to hear what the community has to say!
Cheers
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10-09-2020 08:11 PM
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Growing up, my best friend had one. He played a pre-CBS Stratocaster through it and it sounded like a million bucks. I played a Hagstrom, a Gretsch CA6120, and a SG Custom through the GA45t.
I think the amp was one of the best ever. Tremendous clean tone and a superb distortion tone. The four Jensen 8s sounded simply awesome.
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yeah cool...4 X 8" makes for great harmonica tones..makes sense...even some lo-fi accordian...
lots of old amps were built with accordian option in mind...ampeg!...it's just a modified circuit..can be easily tweaked...or ignored!
good looking amp
congrats & enjoy
cheers
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Great amps that were ignored forever, could barely give them away for a long time. And like a lot of things like Gibson ES-125 and 150 guitars w P90s and amps like Fender Vibrolux Reverbs, Maestro's finally caught on and command much higher $
As you said, they're very highly thought of by harp plyrs and crunchy guitar enthusiasts, not necessarily the typical jazz sound one normally thinks of.
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Very impressive! Curious what it will sound like.
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I'm no expert, but did have a beat but sweet '58 GA 40 for many years. Judging by the cosmetics, yours could be a '56 or '57. They went to leather top and linen tweed later (as mine was), then finally to the narrow panel all tweed cosmetics in '60 I think.
Whatever the look, these amps have the most beautiful low and medium volume clean tones. Not sure how the 4 x 8 format changes the sound from the usual 1x12, but I bet it's not that different. My guess: it'll be a most wonderful amp for jazz.
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Actually the one in the picture isn't mine, i will post a couple of pictures of the actual. Unfortunately, the cool Gibson handle is long gone and replaced with a very industrial metal handle and some sort red docking plate. Also, the back panel is gone , BUT the amp cover is still around.
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Some shots of the actual amp......and last nights Fall drink
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I owned one 20 years ago when I went crazy buying old gear for the "cool" factor and the love of "old".
Mine had the original handle and speakers.
It had great tone and sounded its best the day I sold it!!! But it didn't suit my needs or my storage abilities. A harp player bought it of course. Happy to pass along equipment to the best suited users.
Enjoy it immensely, probably has a nice antique smell to it! And a pine cab.
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What tubes are used in that amp?
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Originally Posted by DMgolf66
5y3 rectifier, transformer, two 6v6 power tubes, 12ax7 phase inverter, 6sq7 trem osc, two 5879 pre-amp tubes...for channel 1 & 2
you can always hook it up to a different speaker cab, for more variety
cheers
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Those look like AlNiCo speakers in there. You might have stumbled onto a nice old amp. Does it have an old fashioned 2-pronged plug or an upgraded grounded one? Be careful if its the former.
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Originally Posted by Gitfiddler
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Originally Posted by Greentone
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I think that you can probably buy the original handle or a replica.
Google "Vintage Gibson Amplifier Handles".
It looks a lot like a suitcase handle from that era.
Minor point, but I think it would be cool to get the correct handle.
What I've heard is that the Gibson amps sound great, but I've also heard that they weren't made all that well. A tech told me that.
At the time I preferred Ampeg, but Jim Hall, I think, used a Gibson amp and nobody sounded better than he did.
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Originally Posted by rpjazzguitar
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I used this generic brown faux-leather guitar case handle for the refurbishment of my early 60ies Dynacord amp. Don’t know if the holes line up, but it looks nice and vintage and won’t set you back 300 smackers:
€14 at a German online store (Tube-Town Store - Koffergriff aus Kunstleder fur Gitarrenkoffer, braun) but you can find those anywhere)
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Tip for the back panel: easy enough to make one yourself but matching tolex will be difficult to find. I used a thick sturdy scratch resistant grey wall paper for my amp. Much more variety in colours and textures to choose from!
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Originally Posted by neatomic
Amplifier for guitar & accordion... Gibson, Ampeg, Polytone (Tommy Gumina was an accordionist) – I see a some kinda connection here!
What amps do modern accordionists use? They could be useful for jazz guitarists too.
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Originally Posted by Little Jay
Look what the estate sale guy just found!
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Originally Posted by Little Jay
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I promise you, there is flower pattern wallpaper available for purchase. Many, many fugly patterns.
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The 4 x 8# gold alnico Jensen cabinet sounds fantastic for a hollow body guitar. My old Gretsch sounded great through the amp.
Very full, clear sound.
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vintage 8" (alnico) speakers sound great at low-medium volumes...have great woody mids tone...but when driven harder, they sustain..thats why harmonica guys dig'em!
cheers
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Just don't over-do the volume. Your bass response may be less than you want. (It ain't no Bassman just because it has 4 Jensens. They are fragile esp. at their age)
You need a GRAY handle. Brown or Tweed this amp is not.
Couple of entry level arch tops
Today, 01:28 PM in For Sale