To be honest, I'm not among the 200K plus watchers of this thread. Yet, I'd like to identify the guitar in this latest post. The cutaway doesn't look like anything I've seen on a Gibson, and I've seen a few.
This is my Super-400 CES from 1963 with the sharp/florentine cutaway. Gibson originally did them like this along with the ES-350T, Byrdland and L-5 CES from ca. 1962 until ca. 1968 . Not many were made and you see them used by Kenny Burrell, Wes, Larry Corryell, George Benson, Pat Martino and a few others. Very expensive nowadays .... The one in this clip is a new custom made model, a one-off and most probably not cheap either !
Man oh man, those Jun Satsuma videos have, to my ears, some of the most luscious electric jazz guitar tones I've ever heard. Especially the sunburst Super. What a fine player on the standards, too. So nice.
Last edited by Scott Beckwith; 12-26-2021 at 05:05 PM.
In practicing this morning i realized getting as comfortable as possible at my age was a priority.In order to spend any amount any time.And once again i noticed my picking hand/arm/shoulder had slide away from the pick up.I have be wondering in frustration what happen to a tone i use to get at times for like a month.And a few minutes ago i eureka!!!! I moved my hand/arm/shoulder up toward the pickup and there it was.Now my question is ,is my ear fooling me.mind you its a (a really nice,if there was any off ) 2015 Eastman 403 playing unplugged!Another question should this be in technique section.I figured getting optimal sound it would go here?
This is my beloved ES-330L. The neck meets the body at the 19th fret instead of the 15th as with a traditional ES-330. Basically a fully hollow ES-335 with P90's.
Wow, that beauty goes way back - back to the days when quilted maple of that quality was much easier to get than it is now. At that time, the Special peghead inlay was not engraved - rather, the...
In this case the guitar is relatively subdued in the kitsch department shreddin'shreddin'shreddin'
(With this one we're getting close to what I call edel kitsch though - but not so much I...
Yes, but "that much" can be "only" 5 cents (and compensating that can be done by slipping the equivalent of a piece of toothpick under the string and against the nut).
The "nylon" strings I use...
No guitars here, but I find this awfully hard to beat. There are lots of great ones though.
https://youtu.be/9dDPVUNk1Mg?si=cEFWfQndag456aNE
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As SS pointed out, some 70 GJS had volutes. They actually did them both with and without. Most I’ve seen do not have them.
That said, that one doesn’t look like it has a volute to me. It looks...
I meant no harm or competition about "who invented" the solid body. Just pointing to the fact that Paul Bigsby led the way in America, not Fender or Gibson. I respect all the different luthiers from...
I was addressing the OP. I have no disagreement with what you posted. But if an individual string is so far out that it needs that much compensation, something is wrong. The easiest thing to try...
It'd be really interesting to see and hear a proper, in-depth comparison of a number of famous US-made archtops with their counterparts from the golden age of German archtop lutherie. IMHO that would...
I put it on when I went to bed last night, but I fell asleep. Have to try again. What I did hear of it, very interesting. I feel like people with either love to hate this one...
Yeah, it was decided that 13 and 14 were part of the line started prior.
I like it nice and slow too. Things get too fast and they sound spastic to me.
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