To be honest, I'm not among the 200K plus watchers of this thread. Yet, I'd like to identify the guitar in this latest post. The cutaway doesn't look like anything I've seen on a Gibson, and I've seen a few.
This is my Super-400 CES from 1963 with the sharp/florentine cutaway. Gibson originally did them like this along with the ES-350T, Byrdland and L-5 CES from ca. 1962 until ca. 1968 . Not many were made and you see them used by Kenny Burrell, Wes, Larry Corryell, George Benson, Pat Martino and a few others. Very expensive nowadays .... The one in this clip is a new custom made model, a one-off and most probably not cheap either !
Man oh man, those Jun Satsuma videos have, to my ears, some of the most luscious electric jazz guitar tones I've ever heard. Especially the sunburst Super. What a fine player on the standards, too. So nice.
Last edited by Scott Beckwith; 12-26-2021 at 05:05 PM.
In practicing this morning i realized getting as comfortable as possible at my age was a priority.In order to spend any amount any time.And once again i noticed my picking hand/arm/shoulder had slide away from the pick up.I have be wondering in frustration what happen to a tone i use to get at times for like a month.And a few minutes ago i eureka!!!! I moved my hand/arm/shoulder up toward the pickup and there it was.Now my question is ,is my ear fooling me.mind you its a (a really nice,if there was any off ) 2015 Eastman 403 playing unplugged!Another question should this be in technique section.I figured getting optimal sound it would go here?
Having owned both, I thought the DV Mark Little Jazz added a certain color and compression to the tone regardless of what guitar you are using, or even where the tone controls are set somewhat. To...
Regarding necks with no truss rod...
My dad bought a carbon fiber steinberger in the '80s. The salesman (Chuck Levins, Wheaton, MD) demonstrated it's sturdiness by swinging it from the neck and...
Transcribing is something that I really love and I really enjoy! I feel more comfortable learning and transcribing than writing, probably because when I was student at conservatory I had a lot of...
It's always a little bit tricky to write the transcription properly, for many reasons but principal rhythm and ornamentations...!
I feel always more comfortable learning by ear the solos than...
The headstock that Gibson put on the later Epis is what looks wrong to me. The original Epi headstock was known as the moustache, not open book, because it's subtly different, a little more of a...
After years of messing around with picks of all materials and prices I have come to the conclusion that the 1.5mm - 2mm tortex is best for most things. 0.75 for (American style) rhythm.
Birelli...
Hey Allan,
You're welcome! Transcribing is a great exercise, I think that sometimes is great to transcribe a full solo to understand the style of a musicians or to understand the melodic mouvements...
I agree, I think I would love a FM3 where I could get all the amps, and effects with great sounding default settings, fast and simple to do common simple tweaks, but also the option to more advanced...
It's funny, when I hung with the local "gypsy jazz" crowd I found the better players often (not always, but surprisingly often) used simple cheap picks (1.5 and 2mm Dunlops were a hit)...and yes,...
McCoy Tyner style asymetrical pentatonic sequence over Bb7 Alt, with 4ths and forward motion
This is the 3rd installment of asymetrical pentatonics. This time over Bb7Alt using B Melodic
minor,...
McCoy Tyner style asymetrical pentatonic sequence...
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